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Language of Memory is a hand-processed, optically printed film composed of rayographs of my grandmother’s still negatives from the early 1900s, strips of her old lace casting abstract patterns on high contrast film, and the overlapping gestures of sewing and splicing film, related techniques historically attributed to women. It is both homage to my grandmother’s creative influence and a deconstruction of memory through fragmentation and the accretion of associations surfacing from the tactile processes of the film’s making.
After a devastating breakup, Tara is having a hard time moving on. In order to forget her ex, Jack, she decides to undergo a procedure where she will forget him forever.
A documentary about a woman who paints Garfield for a living dismantles when the filmmaker becomes mystified with the color orange.
Grappling with the loss of her beloved, a programmer begins employment at a tech company specializing in high-end, artificial companions.
In the court of the Memory Guardians, a trial ensues about what to do with the statue of the Kneeling Woman, following her defacement in Zehlendorf and relocation to the Zitadelle Museum in Spandau. While one counsel advocates that the statue be publicly displayed in the Zitadelle Spandau Museum to caution against “left-wing extremism”, another argues that she should be kept in the more private Schaudepot indefinitely to educate about difficult history. Yet another argues for her to be destroyed, given the racist beliefs of her creator, the violence against her and the messiness of contextualising all this Black pain for a public.
Desperate to escape the nightmarish visions of a terrible past deed, Stanley stumbles upon the Memory Emporium to deal with his crippling guilt.
During the summer holidays of 1994, an act of sexual violence took place in the Austrian alps. Nineteen years later, Philip Treschan confronts his mother with his trauma in a documentary essay. The family album is a nostalgic illusion, a gateway to an unspoken reality and a tool for an intimate conversation with the past and for piecing together the fragments of memory into a comprehensible whole.
Alla Horska was a Ukrainian artist of the 1960s, monumentalist painter, one of the first representatives of the underground art movement, dissident, and human rights activist of the Sixtiers movement in Ukraine. She was murdered in 1970 while under surveillance by the KGB.
After a fifteen-year exile, Thomas come back home to bury his father, a Republican fighter thrown in jail by Franco's regime who died without ever regaining his freedom.
Somewhere on the coast, away from the village, a team of road workers lives and works - several families. Their work is hard and meaningless - the road they are constantly repairing leads nowhere and is not needed by anyone. The monotony of this life is broken by a couple who have settled next to each other in a tent, traveling by car. These are people of a different social stratum, a different culture. Their relationship, lifestyle attract the hero of the film - twelve-year-old Yurka. The boy gets closer to the visitors. This leads to a serious conflict with parents and makes them think about their lives.
A depiction of everyday life at the House of Sharing, and document of the testimonies of women who were taken as "comfort women" by the Japanese Army during the war. The second part is about Kang Deok-yeong, who depicted her experiences during the war through painting.
A three part story of the North African immigration to France.
A grandfather retells his fondest memories to his grandchildren on the night before christmas eve.
Over one thousand people of different nationalities live among rats and rubbish in shacks slapped together out of metal sheets and wood. It’s the platz, one of the largest shanty towns in Europe, on the banks of the river Stura in Turin. Many children, women and old people have been living here for years in what has become a practically invisible microcosm that will soon no longer exist.
With every moment – one more memory. But memory sometimes goes blind and what is left becomes hazy.
Alba remembers how she fell in love with Pierino, her brother's friend, in the early fifties in Italy.
The story follows a young girl named "Mara" who finds a mysterious force deep within her memory.
A mother fights to prove her 14-year-old son is innocent of a murder he confessed to under hypnosis.
Bas and Aad van Toor started as acrobat duo The Crocksons, but became the most popular children's duo in the Netherlands as clown Bassie and acrobat Adriaan.