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A Trip Down Memory Lane is a 1965 experimental collage film by Arthur Lipsett, created by editing together images and sound clips from over fifty years of newsreel footage. The film combines footage from a beauty contest, religious procession, failed airflight, automotive and science experiments, animal experimentation, skyscraper construction, military paraphernalia, John D. Rockefeller and scenes of leisure, Richard Nixon and scenes of war, blimps and hot air balloons, and a sword swallower. Lipsett envisioned his film as a kind of cinematic time capsule for future generations.
Dong Geun is a patriarchal and inflexible father. He is on the verge of being forced to retire after getting involved with a drug rebate and on top of that, he's diagnosed with late stage stomach cancer. With the little time he has left, he tries to do something as a father, but he only creates misunderstandings... This is the story of a father we didn't know. (Source: HanCinema)
Sometimes autobiographical, sometimes observational, filmmaker John Burgan takes the viewer on a search for identity, sharing his own roots as English adoptee as well as reflecting on the torn identity of the city in which he chose to live.
Didgeridoo performer GOMA developed higher brain dysfunction as the result of an expressway accident. While looking back on his rehabilitation and recovery with his family's help, animation recreates his “flashbacks” - incongruous images that suddenly appear in his brain. This completely new style of 3D movie that blends past footage, flashbacks, and studio performances is also emphatically a story of familial love.
In 1987, the directors of this film were students of cinema in Cooperativa de Ensino Superior Artístico Árvore I, current ESAP-Escola Superior Artística do Porto. While in their first year of studies, they decided to invite Henrique Alves Costa, a scholar of Portuguese cinema and historical manager of Porto’s Cineclube, to guide them on a visit to Invicta Film (1917-1928), the first major Portuguese film producer. In another epoch, in Porto of the 80s, the shooting recorded this wandering by the former studios of Invicta and also by Quinta da Prelada, whose exteriors served as setting for Frei Bonifácio (1918) – film directed by Georges Pallu. Memórias (Memories) is released 34 years later of these shootings with Henrique Alves Costa.
Adrian Martin and Cristina Álvarez López explore the joy and regret of nostalgia with one of the cinema’s great, spare poets of sense-memory.
Using anonymous home movie footage of Expo '67 in Montreal, the artist sets out to recreate a memory that perhaps never existed. Celluloid manipulation and sound decay techniques coalesce to transform a mythic landscape into a sublime expanse of disintegrated memory
Music Videos, Making Of, Track By Track Band Commentary, Other Videos
The second installment in the Biochemical ragnarok "franchise," An Angel Has No Memory proposes an architecture for the end of the world andexplores the magickal qualities of film/video through the medium of the video collage.
This documentary follows a group of young Mexican-American musicians who leave the inner city to join their music teacher Julián Gonzalez -- an aging violinist -- on a trip to his hometown in the Mexican state of Jalisco, where mariachi was born. Once there, the performers encounter a host of captivating characters and become acquainted with their musical roots in a new way, connecting with a purer, pre-commercial style of mariachi.
A young man, and his inherited passion for muscle cars, are constantly harassed by three rich boys in town. His troubles are compounded by his widowed mother's fear of losing him and the threat of foreclosure on the family farm. FINISH LINE will take you back in time combining the early 70's and present day Central California, the Vietnam era, racing, and cruising Main Street. Then and now, surrounded by hot cars and rock-n-roll music!
Memories, mirrors, madness and Memento collide in this experimental video essay focusing on the photographs and photographers in thousands of narrative films. All the Memory in the World is a stream-of-consciousness meditation on cinema, photography, identity, memory and dreams narrated by an insomniac who obsesses over images.
An experimental documentary about a family's loss of a child and the struggle between remembrance and forgetting. The film explores the cultural differences between a North American mother and a Mexican father in the face of death.
Family members share their memories of loved missing and murdered Indigenous women.
Words are just sounds that we have ascribed meaning to. But words are finite, the sounds we can generate are probably not.
A documentary based on the life of Branimir Vugdelija, frontman of the gothic metal band Embrio. Branimir was an ambitious musician, biker and martial artist. Sadly, in the summer of 2007 Branimir died in motorcycle accident.
Archival footage of a friend’s week-end on the beach encounter the sound of distant memories : the rock band, the pre-sixties flowerpower movement, a feeling of carefreeness and freedom… it was the 1950s in the United states of America. The now aged protagonists share their memories and thoughts about a remote youth, that some still can feel. In Loving Memory of the Future is an essay on memory and the (un-)truth of images.
A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.
Between 1922 and 1924, the art historian Aby Warburg spent more than two years in the Bellevue Psychiatric Asylum in Kreuzlingen, Switzerland. In 2018 a filmmaker finds the real diaries and the medical reports of that experience. Trough a surrealistic journey in Warburg's mind, The Memory Atlas questions the limits between madness and greatness in the process of creation.