Memory Film Vf Stream

A young couple roams through a landscape of ruins, devasted by war. Time seems to disappear to remind us that what has already taken place can happen again.

Of the memories that generate unique moments full of life.

Using film clips recorded when the director suffered from paranoid delusions and severe compulsive thoughts, we are given insight into a terrifying existence.

Hyun-oh, who has the ability to remember dreams, meets new actress Joo-eun in his dream. The amazing truth that they come across...

About a memorial.

Changgyeong Palace was converted into a zoo in the Japanese colonoial period and continued to operate as such for some time after liberation.

A feverish look at the high-stakes and mind-boggling world of the mattress-selling business.

Manami's mother died when she was a child. She moves to Okinawa, where her ailing aunt lives and she feels connected with her mother. Manami has always lacked self-confidence, but she becomes more positive after meeting Koa, a Vietnamese researcher following his dreams. But then Koa returns to Vietnam.

How do we honor precedent while rupturing it for new life? As living beings we are time and space collapsed. We subvert linear time as we experience and shoulder the overwhelming shadow and noise of different memories, existences, and dreams in every moment. We cry, love, grieve, bleed, and just “are” every day. We pass down and inherit all of these things. We are entitled to keep them—a frighteningly stunning life. What is happening in the current moment, spliced with the past, is to live in memory, and that dynamic is to be human.

An abstract film that explores a process of dynamic organic forms made of distorted accidental hazardous found footage materials.

Being haunted by the memory from the Vietnam war for 50 years, Harry Tabak was determined to return to where the battle began.

A film documenting the life of the martyr Majed Abu Sharar, who was assassinated in Rome in 1981. The film discusses his childhood, upbringing, and his work leading up to joining the Palestinian Revolution and leading its Unified Media Office. The film contains interviews with Majed Abu Sharar, and testimonies of his friends and commrades.

a film by Khavn

‘Freeing the Memory’ is the second of three significant performances enacted in 1976 in which Marina Abramović attempted to achieve a mental cleaning through the exhaustion of the three main faculties of expression, voice, language and body. In this piece, Abramović said every individual word she could recall until she could no longer continue without repetition. The mental strain of this act, which lasted ninety minutes, allowed the artist to exhaust her consciousness into a state of complete blankness.

A grieving woman moves through the fragments of her memories regarding past relationships, self-love and identity in order to explore her loneliness.

An experimental journey between memories, time, and childhood. A short self-portrait about things we don't remember. A series of vague and blurry images from the past. How can one remember?

In a world where memories are currency, the past can be bought and sold. A memory dealer, trades in the most intimate of exchanges. But when a melody from yesterday beckons and a stranger's request stirs forgotten chords, they must decide how much of their past they are willing to part with.

Created from super 8 footage that was shot in the 1970s of the family dogs and the trains that my father worked on, this film explores the decay of memory and image. The super 8 film grew fungus while stored in a basement. It was then optically printed up to 16mm and slowed down so that the snowflake shaped fungus could be studied. Narration presents fragmented stories of childhood memories. This film was created as a source film, which was later physically cut up and reprinted with a flashlight to destroy the image and sound for the subsequent film «Mechanical/Animal Memory» which is owned by the NFB.

Language of Memory is a hand-processed, optically printed film composed of rayographs of my grandmother’s still negatives from the early 1900s, strips of her old lace casting abstract patterns on high contrast film, and the overlapping gestures of sewing and splicing film, related techniques historically attributed to women. It is both homage to my grandmother’s creative influence and a deconstruction of memory through fragmentation and the accretion of associations surfacing from the tactile processes of the film’s making.