Memory Film Vf Stream

There are spaces in this world wherein so many memories have soaked into the walls that it is hard to place these sites within a definite point in time. Memory of Objects illustrates these haphazard intersections of space and time by capturing film projections on dilapidated rural edifices. Shot on a beautiful 16mm, we see chaotic movements of light drape over barnyards and bathtubs—evoking memories of violence that haunt rural decay. Memory of Objects disrupts our linear perceptions of time by demonstrating how past traumas bleed into the present moment and latch themselves onto physical space.

A BAFTA award nominated documentary investigating the background behind the disturbances in Ulster; the history of the province and the position held by the army in its task of maintaining peace.

An atmospheric work encompassing female fetishism, gender as performance, and female to male transvestism.

A short psycho-drama about a woman who cannot discern her memories from reality, dream and home movie. Media's long term effects on memory and the relationship it creates through the deterioration of both. This film was made using my Grandparents old 8mm films, I created the sound from a record that was constantly played in their house when I was a child.

A young woman stuck in her childhood home tries to find purpose and meaning despite living in a quarantined world.

2004 Dutch Experimental Film

We all have demons following us around. In the case of this anonymous individual, his demon is a lack of emotion. Via a real local radio interview, he tells us a harrowing story from his childhood.

A representation of my own memory during the course of this year, illustrated by visuals.

With COVID-19, the city was devoid of people. The landscape that the city once possessed has changed completely, becoming silent and eerie. However, the sense of déjà vu and memories that everyone has are still in the place itself. With these memories, the city continues to mark time.

This feature length documentary follows a thirty- year-old granddaughter of a Bergen-Belsen survivor as she explores her grandmother's Holocaust story. Her journey to the Bergen- Belsen grounds serves as the springboard for exploring issues and themes of memory. Voices of leading scholars and educators contribute to this unique program on the future of Holocaust memory.

A 1972 short full of autobiographical trivia.

Ritual Visceral Memory/ Acts of Reclamation for the forgotten body. An installation of tenderness. A black body touched with care is revolution. Reclaiming our birthright cell by cell. This video work is a living poem co written by Nikesha Breeze and FAM. The performance explores the role of tenderness and touch on the Black and Indigenous body. The way we take care of the land and our home is the way we should care for each other. Nikesha Breeze directs and performs in this work, unbinding and washing two BIPOC women as a symbolic gesture of remembering and drawing the invisibilized and dismembered black body.

This film features never-before-released footage from McCartney's "secret show" at the Electric Ballroom in London in June, 2007. The video portion of the package includes live performances of material from "Memory Almost Full" including "Dance Tonight," "Nod Your Head," "House of Wax" and "Only Mama Knows," as well as a live performance of "Drive My Car."

Evelyn Landow is a DIY filmmaker & musician. After spending years archiving home videos & recording two albums with her father during the pandemic, 'Make A Memory' is a hybrid film that celebrates her relationship with her father—a piece commemorating the playful love & memories that have remained amid time's persistent tides.

The film uses body movement and gesture to express a woman's struggle with and emergence from the effects of child abuse on her sense of self and sexuality.

This film is a compilation, with narration by Steve Allen, of comedies from the old Mack Sennett silent studio. Sennett, himself, appears in a cameo at the end of the film.

18 members of family and friends are asked to tell the camera the stories of the memories that mean the most to them

Using stories of items recovered or offered after 9/11 and other tragedies, this film explores the human impulse to create community and reestablish connection in times of upheaval.

Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet's acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist's charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank.

In a story about finding oneself, this four-minute erasure animation takes us through a young woman’s life who in the beginning is facing depression, but then upon returning to her childhood home and is uplifted by the memories of her grandmother. This independent animation is inspired by remembering loved lost ones. This is an animation which freezes time to capture the most fond moments of the young girl.