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A tragic accident drives a father to push the boundaries of science. Will the emotional scars turn to physical scars, or are some wounds too deep to heal?
"See Memory" is a 15 minute stop motion film made out of 10,000 painting stills. The film explores how our memories define who we are, how we remember, and the inextricable link between memory and imagination.
Your parents bought a video camera. You were born. 1990–2004 all mixed up.
The title of Vegetable Memory derives from the writings of Jalaludin Rumi, a 13th-century Persian poet. Evolving as what Viola terms a "kind of temporal magnifying glass," the work explores the perceptual phenomenon of repetitive, cyclic viewing. A loop of images recorded at the Tsukiji fish market in Tokyo is extended in progressively slower cycles, changing the form, feeling and ultimately the meaning of the original images as they move further into the subjective and pictorial.
"Surviving Memory" is a film about the role of loss in the formation of identity. It is a narrative intercut with documentary fragments of political actions, which connect the various characters to event through collective memory. Through autobiographical spoken texts, the narrator relays fragments of a relationship between two Jewish women.
A man finds himself trapped in a mysterious location after an accident with no source of communication except an artificial intelligence.
A cinematographic poem that presents interviews with surgeons, neurologists and psychoanalysts on the phenomenon of the 'phantom limb', the sensation and subsequent hallucinosis that a missing body part still remains connected to the body following physical amputation.
Directed by Amy Greenfield.
A documentary about Jewish-American identity.
A film focused on building a conversation around evolving technical innovations which impact how we view ourselves.
Memory Lost (2019-2021) recounts a life lived through a lens of drug addiction. This captivating, beautiful and haunting journey unfolds through an assemblage of intimate and personal imagery to offer a poignant reflection on memory and the darkness of addiction.
Dream-like images from 8mm home movies create a poetic and intimate contemplation on identity and memory. With tools old and new—8mm home movies and the iPhone—Drawing upon the use of home videos and the family album as ” archive ” the film-making process was a space to witness the past and simultaneously think about culture and self exploration and identity through the act of remembrance.
Memory’s a funny thing.
A cinematic diary that examines the nature of remembering. Assembled in the spirit and memory of the late filmmaker and friend, Will Hindle. -Canyon Cinema
In collaboration with Andrei Jay
A woman uses her body to destroy fruit. Ho employs slight alterations in form, material, and function to challenge our perceptions of domestic objects' relationship to the spaces we inhabit.
Cockney Danny Cruff is the son of a man wrongly accused of murder. Danny decides to solve the mystery himself by hobnobbing with London's underworld. To do this, he poses as a juvenile delinquent.
Memory X is a story of Sikkim that charts across time and mind.
When a dying young man is released from the hospital for hospice, his closest friends and family surprise him with a small celebration of his life to create one last memory for him.
A film by Robert Cahen and John Borst. A woman passes through Hong Kong after dark.
