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A doctor marries his patient without his parents' approval. His parents trick him into marrying a girl of their choice. Meanwhile, his first wife gives birth to a baby girl and waits for his return.
A pastoral village that lies on a borderland. Its current residents speak about their dreams, and from these recollections emerge their own personal loss. Their dreams also overlap with those of the director, who has learned of his grandfather’s unknown past.
This film is based upon the form of an individual’s diary. Jangwook created new images using several chemical treatments on the film surface while using footage of his daily life. These serial works begun from trials that Lee had communicated, seeking to re-construct his own memories, where the ‘mind’s eye’ become connected with the ‘camera’s eye’ and with film itself. In doing so the film is a conversation with personal documentary and everyday practice at the darkroom.
This film does not carry a story that would encourage them to unfold it with a beginning, a plot and a dénouement. The house was no longer inhabited. There now exists an address in the world, an address of the house itself. It can live without a form of life.
The documentary “Balkanların Türkçe Hafızası” (The Turkish Memory of the Balkans) is an effort to trace the pathway of the Turkish language in the Balkans and to set light to people living here in terms of their languages and cultural quests by focusing on the lives, art, and works of Prof. Nimetullah Hafız and Prof. Tacida Zübceviç Hafız, the Turkologists who live in Prizren, Kosovo.
Every year, October 26, on the anniversary of the attack on Dubrovka, relatives of the victims and former hostages gather in the square in front of the scene of the tragedy. The next day, clearing the area. And so - every year. A third of Russia's population knows nothing about the Nord-Ost tragedy. News reports of federal channels on the day of the memory of the victims of the tragedy do not exceed 27 seconds.
Linked to episodes 32 and 33 of the Ryusoulger TV series, the movie will reveal the meaning of Nada’s video message which he left for the Ryusoulgers at the end of episode 33.
A woman sends her lover to prison accusing him of raping her daughter. Fifteen years later, as he returns to prove his innocence, she is found dead.
Screenplay Written by, Painted and Directed by György Kovásznai Music Compilation and Sound Editor: Péter Bársony Music Performed by Gábor Presser, Levente Szörényi, Zsuzsa Koncz, Kati Kovács, Máté Viktor, the LGT and the Hungária Bands Collaborators: János Czipauer, András Osvát, Miklós Papp, Béla Zsebényi, Katalin Kaim, Klára Kassai, and Frigyes Janotyik A subjective interpretation of the everyday life of the 1970s’ Budapest . It is an intriguing mixture of popular culture (music) and high art (composition of images). Kovásznai is not interested in telling a story; there is no linear narrative, the structure of the film is defined by the movements and transformations of the paintings to the rhythm of the music, generating a fundamentally audiovisual sensory experience.
The story of an English pilot who crashed in the Soviet Union during the Second World War, and whose life is saved by a woman and a boy - two partisans near the enemy lines, Long afterwards in England he remembers the Russians with affection, tells his friends about his experiences, and resolves to go back to find the two partisans his heart remembers.
A film by Kang Jung-soo.
A Muslim living in a non-Muslim region of China. It attempts to explore the relationship between ethnic, cultural background and survive.
Nearly 10 years after the beginning of the Syrian revolution, three Syrian activists – Yadan, Odai and Rani – reunite on a theatre stage in Paris. Through life-size projections onto a big screen, Syrian director Rami Farah confronts the three men with footage, some of it their own, depicting events that changed their destinies forever. Watching the brutal footage together, they reflect on their personal journeys, revive their collective memory, and wonder what is left of their hopes and dreams. Their reunion serves as a unique window into the complexity of the situation in Syria, where a peaceful uprising was replaced by a ferocious war.
The precise portrait of a woman who is present and fey at the same time, who is as tired as she is courageous and who seems to have surrendered and empancipated at once.
Exclusive Memory Extra Story "Exclusive Memory of Goodbye Love"-senior year, Bai Lin came to the Qingshan College of East Lake University for an internship, and Li Jiahang, who has graduated, entered Bai Lin's life again, taking care of her daily life in every possible way. However, Bai Lin, who has a low self-esteem, has not dared to face Li Jiahang's feelings. He wanted to make good grades in the internship and then respond, but was designed by a new friend at the critical moment of getting results, and lost the opportunity to achieve results. After reflection and precipitation,
The film is based on the drawings and manuscripts of A.S.Pushkin.
When the suspect of an arson case refuses to cooperate with the investigation, the detectives search his house and find a locked-up little girl. She doesn't talk and there are no clues to her identity, so assistant psychology professor Narumi Saku is asked to counsel her.
The film arose from an encounter with Mario Botta during the 2013 Architecture and Memory exhibit held at the Charlotte, North Carolina Bechtler Museum of Modern Art which was designed by the architect. The exhibit gathered and then proposed to the public the Swiss architect’s most significant projects spanning the gamut from his first single-family homes, original expressions of the School of Ticino, to his large public buildings, libraries, theatres, museums, churches and synagogues which have been built across the globe and features more than 90 works. The film is a dialogue on the themes which characterize Mario Botta’s vision and practice: his relationship with history and the territory, the designing of collective spaces, encounters with the leading protagonists of the 20th century. The interview, conducted in Mario Botta’s studio in Mendrisio, is replete with photographic materials, designs and sketches which document his “spaces of memory”.
A documentary that highlights the role played by artist Adel Emam in conveying his messages about the political and social issues that Egypt went through over more than 60 years during his artistic career.