Memory

The village, the street, the house you spent your childhood in and where memories always mean flowers, nature and movement in a dark surrounding while the sun is shining outside. You can smell the sea, hear the waves and your shoes will always be dirty from the long way you walked. The father tries to breathe, close to death and pieces of pain are captured in that little camera. But what better can happen to a human being than dying surrounded by your family? The tender hands on your knee and the fresh water. The preparations are taken for the funeral. And outside the light goes on shining, the waves continue their way and it is dark during the night. And the next morning there will be white clouds in the sky again.

Research in the field of memory is being conducted under the leadership of Academician Arkhipov. He, like many other thinking people, is not indifferent to the purposes for which scientific discoveries can be used and how modern they are.

Set in 1941 during World War II the film involves the lives of Volodya, Vanya, Galya and Nyusha and how this conflict has affected these children, portraying their struggles, resilience, and the enduring memories that shape their lives.

A father who has lost his memory. A son looking for home movies that his father filmed. And among them, the impossible memory of the missing mother

At the time of the student demonstrations on Tiananmen Square in Beijing in 1989, Liu Wei was a student at the Beijing University. Before the repression by the Chinese government on 4 June, Liu was able to take photographs that have become evidence of what has remained silenced under the Chinese regime. Floating Memory contains these photographs, along with other image sequences pertaining to Chinese propaganda, the past, the present, and other symbolic scenes. Arranged using bifurcations and superimpositions, the video imitates the way memory works.

Unwilling to accept the death of his friend Shi Yan, the protagonist materializes him in his memory in the form of Bug Man, who he plays with to escape from the depressing reality. Bug Man in monitored by the Memory Management Bureau, and memory collectors Fang Tang and Bai Zhong are assigned to retrieve him.

It's not true that I remember my husband's disappearance and the strange events that happened. Soo-yeon is consulted by psychiatrist Jeong-woo after her husband Yeong-min disappears, and Jeong-woo visits the site and advice Soo-yeon whose memories are confused to visit the place where she first met her husband. Soo-yeon suddenly changes her attitude when she finds her dead husband Yeong-min's body there. Meanwhile, Soo-yeon learned from the insurance investigator that all the men who had been married so far died and received huge insurance money. At that time, Soo-yeon and Jeong-woo who invited Jeongwoo to a party in a remote mansion in the mountains, face a shocking and terrible truth there.

Irina returns to Athens after long absence to find her step-brother. Her brother's friends, an American musician, a young Russian, a heritage-suitcase of her father and a series of odd events drift her into an inner journey...

To discuss the massacre of Chinese students who confronted power at Beijing’s Tiananmen Square, in 1989, Liu Wei works from a realm that is at once intimate and transpersonal. The photograph of a man who stands alone facing a line of war tanks on the square, overrun by Chinese troops —one of the most iconic images of the 20th century— is the code for accessing memories blocked out by fear and censorship. The artist approaches passersby and questions them about the event. The question is repeatedly met with denial and evasion; the massacre is a taboo topic. There is no complicity, empathy, mourning, or grief; faced with the picture, everyone falls silent or runs away from the camera and their own memories.

Memory Eye is partly a personal diary and partly a visual meditation on birth. During a train trip I slip into slumber and am projected into the neither-dream-nor-reality-zone, where this short film takes place. This voyage is woven contemplation… deep, intimate, sensorial, pre-natal, pre-image contemplation.

Shiroinu writes down the day’s events before he goes to sleep. One day, he opens a drawer buried in the snow and finds old diary entries. He realizes that he’s forgotten the sensations and emotions from that time to the extent that he feels like he’s reading about someone else’s life.

Yuna goes missing and Stitch goes on a desperate search to find her.

The struggles of the community of the Coconuco indigenous reservation in Cauca, which by the eighteenth-century royal card is entitled to 10,000 hectares, and in 1971 it barely has 1,500.

Crafted exclusively from film archives, Thakirah Arba’at 'Ashar (1971) was Ahmed Bouanani’s first feature, but the censors forced him to cut it down from 2 hours and 18 minutes to 24 minutes.

The year is 2015, and big brother is everywhere. The search for immortality is over. Science has finally achieved the impossible, undermining the most basic aspect of life: that Mind, Body, and Soul must be one, Those who benefit from this new technology will wake up to a new and youthful beginning - the rest of humankind must live a bad dream and wake up to a living nightmare that goes beyond life, beyond death, and beyond redemption.

Inspirada libremente en el libro (“Memories of Anne Frank: Reflections of a Childhood Friend”) escrito por Alison Leslie Gold. La escritora americana recopiló el largo relato de Hanneli Goslar (una de las amigas más cercanas de Anne Frank) cuarenta años después de la Segunda Guerra Mundial. (FILMAFFINITY)

About the creation of the film "Andrei Rublev", about its deep philosophical and artistic meaning, the figure of Andrei Rublev himself and about the influence of the great iconographer on the work of Andrei Tarkovsky.

From the beginning of the idea of ​​civilization, encompassing the ends of life, ending at the end of human intellect and the world.