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Produced by WGBH-TV in Boston, the Medium Is the Medium is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists — Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock and Aldo Tambellini — to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Carl is running for his life. When a beautiful woman offers him an unexpected hiding place, his luck seems to change. But desire is about to lay its own subtle trap.

Fragments of domestic scenarios are lyrically animated through stop-motion, before becoming increasingly surreal as recurrent textures and iconography manifest in distinct permutations.

A gray man enters a steak house. He is caught in a sizzling jealousy drama between the chef and the waitress.

Two graduate students become connected to a series of murders.

Part prequel and part premonition, Medium Earth attunes itself to the seismic psyche of California. The film listens to its deserts, translates the writing of its stones, and deciphers the calligraphy of its expansion cracks, animating the stresses and strains of physical geography undergoing continental pressure. - IFFR

Two lowlife cousins try to make a deal with a ruthless New Jersey mobster in this thrilling crime-drama.

Raju, a village boy goes to Bangalore in search for a job and finds different meanings to life while dealing with hurdles that the city puts him through.

Meet the Panzer III medium tank, one of Germany's showpiece weapons in World War II, often appearing in newsreel footage documenting early Nazi victories in Europe. Though it could easily hold its own against the Allied forces' tanks, the Panzer III met its match on the Eastern Front against the Russian T-34. By the end of the war, it had been shifted to secondary fronts and was often used as a command tank rather than on the main battlefield.

Vera, a woman of questionable character places a wager that she will be able to destroy a happy marriage and inveigle the husband into becoming her lover. She succeeds to the extent of a midnight tryst in the family's home, witnessed by the couple's 12-year-old daughter. Her resolve weakened by the child's piteous pleas, Vera deliberately loses the wager, freeing the sadder-but-wider husband to return to his forgiving wife.

Gustave (Biscot) realizes he has acquired a telekinetic power.

A bloodless horror-comedy about a straightforward spiritual possession, hijacked by murderous cannibals. When Dave, a grieving everyman, hires Gus, a maybe-too-legit spiritual medium, to contact his recently deceased girlfriend, their session starts off hopeful but soon starts to smell off. Twist after relentless twist propels them on a head-whipping thrill ride… without ever leaving Gus’ office. A simple recipe yielding complex results.

Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.