Me Myself And Alan

Two women -- a restaurateur and an architect -- have a seemingly idyllic romantic relationship, until the latter encounters a man she had a fling with.

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

Bernardo is a renowned architect and professor at the University of Buenos Aires. He just buried his wife, refusing to fulfill her desire to be cremated and her ashes scattered into “Costa del Sol”. Only when his wife’s grave is desecrated, he decides to take the trip to Spain. With Abel, owner of a bankrupt real estate business, and Amalia, a beautiful public relations employee, Bernardo will be involved in absurd situations to get rid of the ashes of his wife. Bernardo will discover that he didn’t know his wife as much as he imagined.

Four people talk about aspects of their work. A flight attendant on a 747 shows us some of what's involved in getting the cabin ready for the next flight. A man in a hardhat discusses the capacity of a huge steam shovel shaped like a wheel, as it turns and moves earth in the background. A man who sells room furnishings talks about trying to make advertising fliers. A cemetery manager describes burial options. All are cheerful.

A film by Wang Yuehua

Diane is a growling, howling urban nightmare, suffering from paranoia, nymphomania, and a really bad hair day. Her neighbor, a TV writer, is subject to Diane's constant commentary on sex, violence and invisible persecutors through paper-thin walls. When Diane manages to seduce him, the two jaded New Yorkers discover that love works in mysterious ways.

Claudia Larcher conjures up the dissolving self in the digital age. As algorithms deform photos of the filmmaker in fascinating ways, chatbots can be heard philosophizing about identity. What this yields is not at all artificial, but rather, an urgent confrontation with how we perceive ourselves.

Lisa is in her 14th semester of studying to be a teacher. She’s been trying to write her bachelor’s thesis for years. So we make a deal—to document her progress on film. It will help her structure herself and to keep her eye on the goal. Then it should definitely be manageable in six weeks! But it’s summer, it’s hot and she has to take care of her dog and her plants and yet again her mother has gone missing for months. Her circle of friends insists she must relax - no one functions under pressure - and Lisa gets carried away by the endless possibilities of procrastination. The intended documentation of progress turns into a kaleidoscope of inner conflicts.

Thaen is hit by a car and loses his memories. He starts to live with the woman who hit him as she feels a bit responsible for hurting him other than the fact that she is afraid of getting into any trouble because of this accident. Thaen is trying to recollect his memories while living with the woman and her nephew.

The beginning of the prevalent theme – or question – what keeps us apart, even when together? This question in the later film not just the question, but as a statement…

When ordering food, we often put on a happy face. But when do we take that mask off if ever? Tripp (James Counihan) faces this internal struggle while his partner Jay (Brian Westerley) confronts this dual personality.

Corey Haim wrote and starred in this exploitation movie, which is dedicated entirely to himself. Through the course of it, we are led on a tour of his "everyday life, " which includes a one-on-one hockey game with a middle aged man, him modelling the latest fashions, and several "heartfelt" talks about what a decent guy he is. Written by Duke

Antonis always goes by train. He is in a rush to make it on time. His recent past keeps catching up on him. Reality does not allow him to escape the images. That's how it is. because that's how it goes. He couldn't give a damn about anything. He needs to pee. Dependent on his girlfriend just as he's on himself. He doesn't owe anything to anybody.

Steve Hofstetter explores the idea of ever-changing identity in this hilarious new comedy special. From trans rights to homophobia to women in the work place, Hofstetter admits that he didn't always agree with himself.

Based on the mysterious theft of footage filmed in the jungle of the Congo Basin in the Central African Republic, the film reflects on the foundations of identity through a constellation of narratives and states of mind that, far from telling a linear story, are reflected, questioned, overlapped or self-determined through their position in a precise time and space.

Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).

A comedy examines one man's life over a 50-year span. It explores three distinct periods in his life - as a 14-year-old in 1991, a 40-year-old in present day and a 65-year-old in 2042.

My mother's friend lives next door, and has always been there to help take care of me. I found out recently that she is a very adulterous and lewd person, and after finding a video I couldn't help myself.

May J.'s 2017 Tour ~ME, MYSELF, & OUR MUSIC~ "Fututistic" held at Hitomi Kinen Koudou on July 3, 2017.