Matriarche

A penitentiary parlor. A mother and her son meet for the first time since the young rebel took part in a bloody robbery.

The story of Jasna, a Croatian ex-pat who, due to her mother Anka's declining health, is forced to return to a place she has been avoiding most of her life - her home. The two haven't been in touch for years, but the proximity of death forces them to confront the ghosts of their past. It is also a portrait of life in a typical small town in the midst of Mediterranean hinterland. Plunging into the anxieties of the community, MATER subtly uncovers class, status, and gender issues that shape Anka's and Jasna's personalities - their stubbornness, strength, and tragic flaws.

The film belongs to the 'migration cycle' in the Bulgarian cinema. It is about the drama of a group of women who have been left alone in their 'female kingdom' - a village deserted by its entire men folk.

A shelter is threatened by shutdown and demolition. 60 women of different ages, nationalities and social backgrounds gather in order to defend it, attempting to redefine their place in today's world.

Martta and Otto are a pair of traveling tailors who claim to be bastard descendants of the Romanovs and wander from town to town in Finland seeking work, accompanied by their two half-witted adult sons, Hippo, Repe and equally silly son-in-law Ventti. The family occasionally turns to crime when they can't quite make ends meet, and the boys begin turning to violence with greater frequency when Otto weakens and Martta becomes the head of the family business. Their fortunes take an unexpected turn when the brothers assault and abduct a man they call Kaspar, who becomes the family's sidekick in their travels. Despite Kaspar's inability to speak, he attracts Martha's youngest daughter, an attractive young woman named Lara, but the family is in disarray when a long-lost half-brother, Laszlo, suddenly re-emerges and tries to wrest control of the clan away from his mother.