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The only known film footage of Marcel Proust (identified by Canadian professor Jean-Pierre Sirois-Trahan) shows the French writer at a wedding as he descends a staircase unaccompanied, speedily walking past the slower couples to his right.
Germaine Dierterlen talks about Dogon mythology at a conference on the Bandiagara cliffs. The Songo canopy is a sacred site in Bandiagara. Its walls are covered with paintings depicting the different phases of creation. A little further on, in a cave near the village of Bongo, symposium participants are discussing the Tellem, the people who lived in the houses built into the cliffs before the arrival of the Dogon. The archaeological remains and migratory movements of these two peoples are discussed.
A witty, feature-length drama-documentary in which Marcel Duchamp, who once compared his own mind to that of a master criminal, is investigated by Sherlock Holmes. Holmes comes out of retirement, and with the assistance of Dr. Watson, proceeds to delve into the mystery of Duchamp’s major work, the once-notorious Large Glass (The Bride Stripped Bare by the Bachelors, even) 1915-23.
Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase
In elegiac work, Kubota explores the relationship between two of the most influential figures in 20th century art and music. The core images are Kubota's own photographs of the famous 1968 chess match between Marcel Duchamp and John Cage, in which the board, wired for sound, functioned as a musical instrument. Recordings of Cage's compositions accompany the stills and video footage, which Kubota electronically processes to abstraction.
Through the life and career of Marcel Carné, using film excerpts and archives (including touching interviews with the director), François Aymé weaves a fascinating portrait of a hypersensitive man who had to deal with his homosexuality and who, despite his brilliance, was long relegated to the shadow of his actors and Prévert, who were credited with their greatest success.
