Mam

George has been working wholesale market, and reside in the house his grandmother handed down. It seems that his daily life has no change.

The film, shot in 1979, but allowed to be shown only 10 years later, talks about the traditional hero of Soviet propaganda. It consists of two parallel plots. The first is the classic "newsreel" about the hero of labor, a noble weaver Golubeva. Golubev at the machines, Golubev on the podium. The second line of the film is the life of the Golubeva family. More precisely, the life of her husband and son. Mom is not at home.

For every child, mother is the best sorceress in the world.

Repak does not get tired of chasing the ghost of a romantic life, although reality proves to him every time that such a life does not exist for him. The fate of the Rappak traces the fate of a whole generation who have not found their place in people's lives.

“This film discloses the responsibility adults bear towards children whom they abandon. This is a problem of society’s responsibility to its future. The war ended long ago, but the children’s homes were overflowing in the 1960s. When I found out about this, I was simply dumbfounded. I did not want to read the viewers a lecture, but hoped to affect them on an emotional level. This is one of my most beloved pictures. This is a motto of kindness, mercy, a message from man to the individual, this is the problem of a person’s responsibility to the future” (director Mikhail Litvyakov).

In the new story, a brave mammoth, the son of a grown-up hero, embarks on a journey full of dangers from Africa to the North in order to find a real mother for his father.

The members of the Black Hawk group want to escape from the port of Karachi after stealing the death ray. Agent Jane Bond 008 is assigned by the British Intelligence Service to rescue the professor who succeeded in inventing the death ray while fighting against the members of the Black Hawk group.