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Malcolm causes a struggling relationship to breakdown, from beyond the grave.
A documentary where the cast meet 20 years after the series started (filmed at the peak covid-19 outbreak) they do a readthrough of the first episode
Malcolm looks after toilets at the Gentleman’s Club. It’s not a happy job but it starts feeling better after a gentle encounter.
A commemoration of the four-year anniversary of the assassination of Malcolm X, featuring an intimate interview with his wife, Betty Shabazz.
Malcolm tries to keep his dual lives -- and two wives -- separate, but when both of his spouses want to attend the same concert, he runs into a big problem.
The Autobiography of Malcolm X is an account of the life of Malcolm X, born Malcolm Little in 1925, who became a human rights activist. Malcolm X was assassinated in New York's Audubon Ballroom in February 1965.
Call Me Malcolm is an amazing story of the human spirit and God's spirit, and the liberating struggle to realize and express with confidence the marvelous gift of one's truest sense of self. As Malcolm shares his own story and through the stories of others we meet, Call Me Malcolm offers us a glimpse into the real lives of real people who are transgender. But it is only a glimpse. There are many stories to be told and Malcolm helps us make connections to our own stories, encouraging us to share them. That can seem daunting in a culture which has done more to heap shame on persons who identify as transgender. The good news of Malcolm's story is the way in which shame and fear are overcome by grace, compassion and knowledge. Viewers cannot help but come to a deeper understanding of faith, love, and gender identity, and by doing so, arrive at a deeper understanding of their own journey.
This is the true story of Malcolm Charles Smith who, like many Aboriginal people, was taken from his family as a child and died a shocking and early death after a life of institutionalisation and deprivation. In this documentary Richard Frankland, who helped investigate his death for the Royal Commission into Aboriginal Deaths in Custody, revisits Smith's friends and family who tell the story of Malcolm's life and death.
In a football career spanning nearly thirty years, Malcolm Blight has done it all. Now for the first time he talks about his dazzling career. The only man to have won the Margarey - Brownlow - Coleman and Farmer medal quadrella. A Premiership star with North Melbourne and the man who broke through to take Adelaide to back to back flags as coach. Along the way there was a short lived stint as playing coach of the Roos, a return to Woodville and three near misses as coach of Geelong. A remarkable man - a remarkable career. In WINNING, Melcolm Blight gives a rare insight into the footballer, the coach, the television analyst and the family man. This is a story of success by a man who has been a master at it.
After years of internet-based solitude, Malcolm decides to take a swing at dating in the real world. What his date doesn't know is that he may be armed.
Set in early 1800s England, a young lady (Gemma Chan) engages in courtship with a mysterious wealthy suitor, Mr. Malcolm (Sope Dirisu), unaware of his unattainable list of demands for his future wife. Written by Suzanne Allain, based on her script and novel of the same name, and directed by Emma Holly Jones, the romantic comedy stars Sope Dirisu, Gemma Chan, Oliver Jackson-Cohen, and Freida Pinto.
Plot details are being kept under wraps
Malcolm is a schizophrenic serial killer that is living in his own head.
1971's On Any Sunday is perhaps the best-known film ever made about the sport of motorcross. Three decades later, the filmmakers revisted the film for this 2001 follow-up. On Any Sunday: Motocross, Malcolm & More features footage left on the cutting-room floor from the original film as well as new interviews with those involved in the making of the classic
Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, is Malcolm, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.
Malcolm X: Struggle for Freedom was praised by directors like Chris Marker and Joris Ivens for its up-close portrayal of the radical civil rights leader, directed by Jamaican-American filmmaker Lebert Bethune.
Narrated by actress Alfre Woodard, this trenchant, eye-opening doc traces the radical civil rights leader’s life from his tumultuous childhood, through his rise in the ranks of the Nation of Islam, to his 1965 assassination.
CBS News looks at Malcolm X, focusing on his public life from 1959 to his assassination in 1965, suggesting that his death was a great loss to the nation. The film intercuts archival footage of Malcolm and interviews with family, friends, colleagues, scholars, and writers. CBS documents Malcolm's move from being Elijah Muhammad's deputy in the Nation of Islam to his embrace of Islam: his new links with the civil rights movement posed a real threat to the powers that be. CBS details his death after secret FBI acts to increase the rift between Muhammad and Malcolm. Maya Angelou, Dick Gregory, and Andrew Young offer trenchant comments. "He was our manhood," eulogized Ossie Davis.