Making Of D

Tadeusz Mazowiecki, the first prime minister of free Poland, takes us through successive stages of the political transformation at the turn of the 1980s and 1990s. He ponders, listens and negotiates sharply. He must be aware he’s making a great revolution. What values and ideals inspired this transformation? What can we learn from him today? “Make Revolutions by Phone: A Short Movie about Tadeusz Mazowiecki ” is a documentary essay based entirely on archival materials from various periods of Tadeusz Mazowiecki’s life, edited in a creative way suggesting that Mazowiecki is conducting the conversation with himself. Dynamic animations and young alternative music give a counterpoint to the story.

A full-scale invasion found the Kyiv director in a small Bedouin village in the Middle East. It was warm, safe, and unbearably far from home. Once the director had a prophetic dream. She decided to return to Kyiv, still the hostilities were unfolding. Despite the condemnation of relatives and the long journey, she finally managed to cross the threshold of her home. But the house itself has now become forever different.

Documentary about the making of Rainer Werner Fassbinder's 1972 German television series EIGHT HOURS DON'T MAKE A DAY, featuring interviews with actors Hanna Schygulla, Irm Hermann, Wolfgang Schenck, and Hans Hirschmüller.

J-Pop Girl Group Giri Giri Girls star in a series of low budget horror films, the first of the series focuses on the entanglement that happens between the girls and a creepy photographer.

Behind the scenes of "Bishôjo senshi Sailor Moon". The quest to find the perfect actresses for the parts, first day of filming and the press conferance presenting the new Sailor Guardians to the world.

This a documentary about the artist Bob and Roberta Smith, in reality one person called Patrick Brill who has become renowned for his humorous, opinionated, polemical art works. He occupies a unique position in the art world as an outsider who is a Trustee of the Tate Gallery, an artist whose work appears in The Guardian and also a school on the East End. What distinguishes Bob from mainstream contemporary art is his commitment to the idea that art is a vital part of democracy, and that art itself must be democratic. The film follows Bob over 3 years providing a unique insight into one of Britain's most important artists at work reflecting on art and the role it plays in society today.

1962 Japanese movie

'Make Do With Now' sheds light on an emerging generation of architects and urban practitioners in Japan. Largely entering professional practicefollowing the 2011 Great East Japan Earthquake and Fukushima nuclear di-saster, this generation is developing a range of critical, ecological, and social approaches that creatively 'make do' – with limited resources, found materials, and existing spaces – while seeking appropriate responses to the urgent problems of the present. Turning their backs on the traditional image of the architect-author, these practitioners are articulating a new architectural agency in working from the periphery, exploiting gaps in the system, and occupying new roles in the process that have previously been overlooked.

During a session at the hairdressing salon, Alexandre Astier has a conversation on the subject of quantum physics with Étienne Klein.

In a primitive land, a sexually frustrated hominid breaks the food chain by giving in to the temptation of murdering innocents and self-destructive fun without consequences.

A gullible young boy, as all kids are, believes that following his frowny-faced mother's order to buy a bottle of soy sauce and a bottle of vinegar will make his mother happy.

A spin-off project from the popular Kaidan Shin Mimibukuro (2003) series. Finally a documentary about visiting haunted places has arrived. In this western Japan version, various famous haunted places in western Japan are hit.

A spin-off project from the popular Kaidan Shin Mimibukuro (2003) series. Finally a documentary about visiting haunted places has arrived. In this east Japan version, various famous haunted places in east Japan are hit.

For a quarter of a century, Frank Castorf has created a microcosm in the Volksbühne that many considered to be an identity-forming fortress and a renegade island in the increasingly chic and monotonous centre of the capital. The marathon productions for which he was responsible were true orgies of association that demanded everything from the audience. The film accompanies Castorf's final season and is there when the theatre people get together once more to start a last fireworks display in the face of an uncertain future. (weltfilm GmbH)

Kyabakura is a type of hostess club in Japan, inspired by French cabaret. There exists an ambiguous relationship between the clients, the men, and the hostesses, that should never materialize into a sexual relationship...There are strict rules, which of course, are designed to be broken.

The team behind Frozen II open their doors to cameras for a six-part documentary series to reveal the hard work, heart, and collaboration it takes to create one of the most highly-anticipated films in Walt Disney Animation Studios’ near-century of moviemaking. Cameras were there to capture an eye-opening - and at times jaw-dropping - view of the challenges and the breakthroughs, the artistry, creativity and the complexity of creating the #1 animated feature of all time.

A behind-the-scenes look at the making of “Alien,” the terrifying classic about a spaceship crew trapped with a hideous monster that's hunting them one by one.

In Hainan, there is a Guanyin Temple. The Guanyin in the temple decided to make a movie based on her personal experience. Two friends and I planned to make a documentary Guanyin Also Make Movies built from this event. Gradually, the act of us shooting the documentary, starting to echo with the act of Guanyin making the movie. To every single person, the image has its own unique significance. Therefore, we also turned the camera to ourselves, deriving Three Men Who Made a Movie Named Guanyin Also Make Movies Also Made a Movie from Guanyin Also Make Movies.

"I Thought I Was Going to Make a Poetic Film With My Brother" follows young filmmaker Ahmed as he documents his family's house in northern Egypt, set for demolition under a new government plan. Through this project, Ahmed seeks to reconnect with his younger brother by exploring their shared memories of the house and village. As they delve deeper, they uncover a deep wound that fractured their family's ties to the village. The older brother attempts to heal this wound and help his younger sibling find reconciliation.

Compilation film for 30-sai made Doutei dato Mahoutsukai ni Nareru Rashii and will depict episodes not shown in the TV anime.