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A young girl, Gaby, advertised in a newspaper to find a husband. Berthier, director of a telephone exchange, answered it. Yvonne, a charming telephone operator, has been invited by a subscriber, Vanetti, a married man looking for entertainment in the absence of his wife. The four young people have agreed to the same meeting place and will find the wrong partner. Gaby will spend the evening with Vanetti and Yvonne with Berthier.
Paris, 1900. The 16-year-old Gigi lives in a world of mere women, inspired by Anna Karenina and Madame Bovary, she doesn't want to surrender to the "bondage of a loveless marriage".
Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.
Working for a stock-car team, Robert dreams of becoming a racing driver himself. For a long time this is only a pipe dream until one day fortune smiles on him when he saves the life of a young woman. Gisèle, the young lady in question, happens to be the daughter of a car manufacturer. Robert and Gisèle fall for each other and decide to marry. They get on quite well except on one point: Gisèle does not want her husband to take part in car races. But passion is the strongest and, breaking the ban, Gilbert wins the La Baule car event. Overcoming her aversion, Gisèle finally allows her husband to pursue his brilliant career.
About a young boy growing up to become a great artist. Set basically in St. Petersburg and a country dacha in Vyra during the aftermath of the 1905 Russian Revolution.
Yolande, the daughter of Commissioner Navarro, pleads her first case. The worthy daughter of the commissioner wins hands down. Her client is exonerated despite the relentlessness of Lieutenant Garrel. Happy with her accomplished duty, she leaves the Palace for the office of Master Rossi, her boss, where her colleagues reserve a small party for her.
Stuck in Angoulême between her uncle, who composes classical music, and her aunt, who is a fan of contemporary music, young Irène finds life boring. Fortunately, there is swing music which illuminates her days. So when, one day, Raymond Serre and his swing orchestra come to Angoulême, she seizes the opportunity to slip the copy of a song she has written into the pocket of one of the musicians. The trouble is that while she is doing so, the train she has boarded pulls out.
This documentary is the first film ever made by Bruno Monsaingeon. It was shot in the 1960s and early 1970s in grainy black and white and only average sound, when Boulanger was in her late 80s and still fearsomely in command of her abilities. Monsaingeon re-cut the film in 1977. This film remains one of the most important documents concerning this fabled teacher. She is seen at one of her fabled 'Wednesdays', a composition lesson held weekly in her apartment for almost six decades and attended by anyone who would come. In this particular session she talks illuminatingly with students about a small portion of Schumann's 'Davidsbündertanze'.
1917. Private Pépin vowed to write the beautiful Mademoiselle Pigeon a letter daily. He will soon have to use his imagination to keep his promise.
A famous writer takes in a young amnesiac who, thanks to his care, remembers having tried to kill her unfaithful lover. He will know how to console her and share with her a new happiness.
The sad adventures of a young Parisian woman.
"Mademoiselle Else" is an adaptation in video of Fräulein Else, a novel by Arthur Schnitzler. It is the account in the first person of the last days of a young girl from a good family who, on holiday in the Alps, has to ask Dorsday, an old art agent and bon-vivant for money to help her father, a Viennese lawyer ridden with debts. Dorsday asks in exchange to be allowed to admire her nude. Scenes shot in the Alps break up the story to allow Else to literally distance herself from the rest of the film shot in the studio, a dark room that becomes the recipient of the various mental projections of the young girl. These two different environments enable us to understand the comings and goings in the Else who weighs herself up and Else who weighs up the situation. As it is indeed at Else's level, around sexual benchmarks, that Schnitzler develops his critique of liberalism.
A law student passed his exam in his first B.A. year in Paris ;he is in love with a girl who is not from the bourgeoisie and the boy is afraid his father might not approve of their union.
A musical tragedy about a young man who comes upon a tower and finds this pale woman with long dark hair who just so happens to be the living dead.