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Lorenza is about to be 80 and has just become a widow. She decides to return to her youth home, but her daughter does not agree. However her granddaughters, Sofia and Alba, decide to go with her. It’s a minimal story as simple as necessary.
Emanuel travels to visit his grandma Catie, who lives in the countryside. He has a feeling this is going to be their last goodbye. His mother's looking after Catie and she has decided not to speak a word about grandma's diagnosis, because she does not want to embitter her. Emanuel does not agree with this decision, but on the other hand, he is also hiding his own sexuality to his grandma. Every little moment shared among them, makes strengthen family ties while mismatched feelings emerge. Emanuel should reconsider if things are really better left unsaid.
A gaucho kills a man in a duel and must flee.
A drifter named Candelario asks to spend the night at the hacienda of Don Lazaro. Once there, he gets the offer to stay and work as a laborer with a fixed salary. Over time, Candelario is gaining the confidence of his employer, and becomes indispensable. The situation will change radically when Don Lazarus discovers that Candelario is having a love affair with his wife.
Biographical documentary that traces the life of José Martínez Suárez, unconditional lover of cinema, president of the most important Film Festival of the continent. A lucid protagonist of his life and times.
Comedic retelling of the events around the biblical character: Samson.
Pa' Que Te Lo Goces was a Puerto Rican television show directed by Tony Mojena. It aired Sundays from 6 pm to 9 pm on Telemundo Puerto Rico. The program included comedies, charity campaigns, gossip, news, reality shows, contests, and special guests. Each section had its own host. The main show was hosted by Luis Raúl, and Gricel Mamery.
The main catch phrase was: "Si no lo viste, te lo perdiste." It was created originally by Luis Raúl.
Mr Antonio is undergoing a bad economic situation that shares with his daugther Leonor, a lovely teenager who makes him happy and helps him sewing to make end meet. But its not enough and Mr Antonio has no other choice than working as a thug of a night club. A job that brings unexpected changes tto his life.
Is it that my photographs cage me in nostalgia? Every one of them They let me be selfish And the more I zoom, the less I understand, is it that my photographs cage me in nostalgia? Only them in unison Home I need, I do not want to return, I do not deserve to return, I will not return. How much is hidden within my photographs? Is it that my photographs cage me in nostalgia?
A farewell to our first love