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The first of six episode compilations of the TV show released theatrically, featuring episodes 1 and 3.
The second of six episode compilations of the TV series, featuring episodes 2 and 4.
The third of six episode compilations of the TV series released theatrically, featuring episodes 5 and 7.
The fourth of six episode compilations of the TV series, featuring episodes 8 and 9.
The sixth and final episode compilation of the TV series released theatrically, featuring episodes 16 and 17.
The fifth of the six episode compilations of the TV series released theatrically, featuring episodes 14 and 15.
A three-part omnibus horror work hosted by Hideyo Amamoto.
Behind a three-meter-high wall, crimes of the imagination are concealed. This film is presented as a great fable within another to accompany women sectioned in a neuropsychiatric hospital who present themselves as artists, poets, and gardeners. Setting aside diagnoses and scientific knowledge about madness, we will accompany the imagination of women diagnosed as alienated to release them randomly from their own poetry.
Native Title: 龙门驿站之生死阁 Also Known As: Long Men Yi Zhan Zhi Sheng Si Ge , 龍門驛站之生死閣 Director: Poon Man Kit Genres: Action, Thriller, Historical, Mystery Tags: Winter Setting, Village Setting, Desert Setting, Flashback To Past, Web Movie, Death, Murder, Investigation, Drama, Romance (Vote or add tags)
In 2000, cases of charcoal-burning suicide were increasing on the island Cheung Chau. The islanders' livelihood was affected so they formed the life-saving squad. The guesthouse owner set up “ The Three No's Rental Rules”. The part-time girl at the supermarket observed customers who might buy charcoal for suicide. Some islanders were on the lookout for distressed visitors. Occasionally, they succeeded in stopping the tragedy. Some survivors even joined the squad. At times, they made funny mistakes and met with hiccups in the life-saving endeavors. With trial and error, they explored the essential needs in people's hearts.
A documentary on the photographer Jan Saudek
A television one-man show based on the works of N.V.Gogol.
An omnibus drama that tells the story of people who earn 'lost time' just before dying. The characters tackle the difficult question, "If there is something you could do right before you die, what would you do?".
A short web-drama
It's about different love stories that are based on the letters that the production has received in real life.
The stories will continue to tell about ordinary young people who submit their own stories, some anonymously and some not. We will be shown 9 stories, such as: meeting at work with an ex-boyfriend who celebrates his new girlfriend's birthday; a blind date; long-distance relationships; a strong obsession with the guy and complete control of movement; unrequited love. And many other interesting stories that our heroes coped with.
Eight love stories in which young people go through various difficulties in their relationships.
1. A young girl from childhood worried about her ugly appearance, in college, having performed an operation, she finally found happiness, until one day her classmates found out her secret...
2. What to do if the boss is against her son dating someone, and you have been a couple for a long time.
3. The guy dreams of becoming a bijay, leaving everything behind and hiding from the girl, he made his dream come true.
4. Relationships at a distance, is it possible?
5. It seems to be an ideal relationship, but after a while, he withdraws and does not call for a long time.
6. The girl is ashamed of her boyfriend, who dresses strangely
7. The guy is not sure of his solvency
8. Relationship more than 3 years, the spark disappeared, what to do?
The struggles of one man and other characters based on their profession of being a labor attorney. After failing the bar exam, Lee Jae Goo becomes a consultant and labor attorney reclaiming the value of life.
Teenage trot prodigy Jeong Dong-won and veteran comedian Lee Kyung-kyu form an unlikely duo as they travel the world to step into the lives of others.
This film is not just an adaptation of Daniel Defoe’s 1719 novel Robinson Crusoe. Rather, it addresses the larger cultural myth that has grown from the premise of the book: a white man ‘civilising’ indigenous inhabitants of an island, and claiming the territory as his own property. In a time today when the call to decolonise the artworld and its associated institutions has never been more urgent, Deboosere's cinematic intervention resonates with a large body of work seeking to destabilise and replace the ideology of imperialism. The result is a singular, subversive film, satirical and surprisingly charming at the same time, which makes sure to pay just as much attention to animals and the natural world as to the follies of human-constructed ‘anthropocene’ history.