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Arrival of sound via environmental recordings direct from camera, mostly in sync. First of many works documenting Leviathan.
A film by James Fotopoulos
Ben and Yasmine arrive at a strange and enigmatic community based on an island in the lagoon of Venice. They engage in scavenging raids to the mainland and partake in the group’s Bacchanalian orgies. Their gluttonous sexual vagrancy is paralleled with images of overfishing and unnecessary cruelty in the fishing industry of the Mediterranean.
Ben and Yasmine continue further south to the Moroccan coast, where they are attacked by Jamila and her group of parasitic bandits. The ethics of survival and predator-prey relationships in both human and marine species are explored, as members of another group intervene. But is this out of the frying pan and into the fire for the protagonists?
Our protagonists are taken captive aboard a gigantic cargo ship, whose megalomaniacal captain Ismael entertains biblical pretensions. Ben is made to ‘pay his passage’, while a ghostly Yasmine stalks the empty corridors of the ship. Whales and whaling become a key subject – interrogating colonial and indigenous politics in the process.
In the first episode of the cycle we hear from Ben, about his childhood memories, when his father was a marine biologist at the Natural History Museum in London, intertwined with the back-story of the cataclysm that has met mankind and provides the context for the present moment and the narrative of the Leviathan Cycle.
In the second episode of the cycle we meet Yasmine, a young woman of Moroccan origin, who is living a solitary, obsessive existence in a derelict Georgian market hall in Plymouth, on the South coast of England. Her interior monologue is interrupted by the invasion of her private space by a young man. Is this the same young man, Ben, who narrates Episode 1?
In New Zealand, shark experts simulate epic battles between great whites and 60-foot leviathan, studying orca tactics to find the ultimate predator.
Alice visits the mind of Jules Verne and guides him through the visuals of his novels, as they discuss the nature of humanity and their fears.
It's a new world with new threats but still old enemies remain. Tasked with bringing a mysterious and illusive group known only as "Leviathan" down, a secretive paramilitary agency is formed and get entangled in a worldwide conspiracy.
In 1714 Captain Zachariah Zicari stops a group of possessed townsfolk from using a powerful amulet that would have released the ultimate evil, the Leviathan. Fast forward to 2014 and the amulet is again in the wrong hands. Can Captain Z save the Earth???
Dolby Vision 4K Dolby Digital 5.1 Atmos
Ding Ling is a research scientist who fled Indonesia in the wake of rising sea levels, and at the start of the episode disembarks from the cargo ship on which she had been living. She moves onwards to explore new/old territories, revealing something of her past in Indonesia and China via Singapore as the episode progresses. During her journey she meets the resourceful Senait, an Eritrean refugee who subsists by evaporating water from the Dead Sea to make it potable. In her ongoing effort to compile an archive of those who remain, Ding Ling records an interview with Senait, where Senait recounts her own peripatetic past and perilous journey through Sudan.
Episode 7 is intertidal, locating itself in and as mangrove, by speaking to interconnectedness and enmeshment. It constructs future oral histories by inviting real participants and asking them to image and imagine themselves as their future selves. This discursive, collaborative exercise in place-making is one where both science and the imaginary dovetail into a possible, collective futurology. In blending fact and speculative fiction, narrative and documentary, Shezad enacts a unique, sliding temporal scale that underlies the entire Leviathan project, connecting deep time to tentative futurity.
When four college students trek to the Everglades to conduct extra-credit research for their biology professor, they become prey to a huge man-eating eel with nasty incisors that’s been terrorizing a nearby Florida community, based on a true story concerning an exotic species of eels that are released in the southeast from Asia. They breathe air and can survive on land.
Third film based on Boris Akunin's "Priklucheniya Erasta Petrovicha Fandorina" series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but Erast Petrovich is under suspicion because the killer pretended to be Fandorin. There are initials BG on the handle of the knife Khrapov was stabbed with, the initials belong to a terrorist organization which keeps both capital cities (Moscow and St. Petersburg) in fear. This time Fandorin is not the only one trying to solve the crime, general Pozharski, a famous detective takes over the investigation...