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An artist is seen in his studio, apparently waiting his periodical remittance, which is long past due. After some thought, he decides to sell one of his pictures. He first goes to an art dealer's, only to find that his painting is not wanted, the man directing him instead to a junk dealer. He goes to this merchant, who tells him he may find a demand for his picture in a liquor saloon nearby. Meanwhile a letter-carrier with a special letter which must have the signature of the artist, has called at his quarters and has been directed by the Janitor to the art dealer's store. Panting and out of breath, he reaches the store, but here is sent on to the junk dealer's. Dashing in just as the artist has left, the junk man directs him to the saloon, but the same circumstances attend him there, and he follows the artist to the home of a lady where the artist had gone to dispose of his picture, but finds that he is too late and starts back to the home of the artist once more.
As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.
A group of people receive a letter.
Mailman Zazar has trouble delivering mail.
Camille writes a letter to her unborn child. Recently diagnosed with bipolar disorder, she does her best to prepare for life as a new mother.
This filmed letter commissioned by Michel Boujut and broadcasted in October 1983 in his TV programme Cinéma cinema takes the viewer right to the heart of Vecchiali’s system.
In post-revolution Tunisia, this captivating documentary offers a poetic exploration of a nation's journey from dictatorship to democracy, capturing its struggles, hopes, and resilient spirit.
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A filmed diary that the director, Silvia Staderoli, addresses to her 16-year-old daughter and to all teenage girls around the world. In the context of France in the era of “Me too,” her daughter's hopes for a better future collide with the reality of daily, systemic gender violence. The “land of women” of the title does not exist, but alongside the bitter realization of a male-oriented society, the tension and collective effort for radical change emerges. Between cinema, confession, and literature, the film is a chronicle of life moments and encounters with women committed to fighting gender violence.
One Saturday in spring, Simone, 17, receives a letter that will be a source of endless anguish. The strong ties with her sick father, André, although she loves him as much as he scares her, sometimes take up too much space in her life and prevent her from imagining a life elsewhere.
A French adaptation of Tankred Dorst's play "Fernando Krapp hat mir diesen Brief geschrieben", staged by Bernard Murat.
The true condition of the human being is to think with their hands.