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Robert drives his car along the country roads in the company of his two friends Antoine and Louis. He is obsessed with the incandescent feeling of his childhood love, Hélène. After several years of absence and many letters exchanged, he receives a final letter announcing her return. Passionate and unrestrained, Robert will have to face the resurgent memory, taking with him all forms of reasonable reality.
How do we protect our connection with young people? This is the question the film tries to answer by addressing them directly through a voice-over. In a mosaic of fiction and animation sequences, film excerpts, "smartphone" shots and a considerable amount of archive material, the film restores entire sections of our History and our current events, by looking back at some of the major political and social achievements that young people often ignore. "Letter to the child you gave us" aims at inciting them to measure the importance of laws, the stake of democracy, and to push them to the commitment until fighting abstention.
An African ethnologist on the Marolliens, the oldest community of Brussels.
Part of a 6-film collection called “Grands Détectives” about famous fictional private detectives.
The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.
A reflection on the impact of electronic communications in our evermore speedy world.
Set in the countryside of Provence, the film is based on three tales from Alphonse Daudet's 1869 short story collection Letters from My Windmill: "The Three Low Masses", "The Elixir of Father Gaucher" and "The Secret of Master Cornille".
Halfway between real memories, dedication and fantasy, this essay-poem takes the form of a postcard on a background of maritime fable in which eloquent speakers trace the outlines of a legacy, that of a mysterious mentor.
A short "working class road movie".
Eva grieves over her lost love. She is surprised by the ghost of her sister who consoles her by taking her into a wild rêverie, in the middle of desertic and industrial landscapes. Eva regains consciousness on a railroad bridge, when she suddenly hears the humming of a train.
A woman's life is turned upside down when her mother, who she thought was dead, returns!
A film by Laurence Favre.
A fusional love story, between sensuality and children's games. An intense encounter, a walk of memories, and the anguish of a woman in love.
This pair of titles features a dazzling concert by French jazz pianist Michel Petrucciani, followed by a documentary that captures the celebrated musician as he embarks on the tour that led him to international stardom. Concert Solo captures Petrucciani playing at France's Marciac Jazz Festival in 1996, performing tunes such as "Estate" and "Manhattan." Lettre a Michel Petrucciani then chronicles his landmark first trip to America.
