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Katari, a young girl who dreams of becoming a novelist, writes a love letter to a boy at her school. Unwittingly, she is creating a "short story" that will move a little girl's heart.
An Indigenous woman today, as a grandmother, tells the story of three generations of Aymara daughters, mothers and grandmothers. Her concern is that her only grandchild does not lose her identity, nor ignore the historical memory of her family.
Former soldier Pyotr Vlasov, now the director of a technical school, lives in a small town above the Arctic Circle. His son has vanished. Evidence indicates that the young man disappeared the day after tattooing a swastika on the back of his head. The investigation turns up a suspect, but the kidnapper is actuallyPyotr himself. Upon seeing his son with that repulsive tattoo, Pyotr decides to lock the young man in a basement to reducate him.He spends all his free time writing letters with the tenets of his ideology and reads them to his son when he visits him. Vlasov realizes that his son has taken a path that he finds repugnant. Vlasov is a patriot of his homeland. He believes the country lives surrounded by enemies, with plenty within as well. Now, perhaps even his own son numbers among them...
In a dance where a daughter seeks all the caress never received from her father’s hands, a letter is written by gestures, images and words in an attempt to rescue a relationship that was lost by fear.
Natalia Solórzano narrates what is like for a foreigner to live in Pamplona, Spain
For twelve years, military photographer Oleg Klimov recorded the collapse of the Soviet Union on film. He was present in almost all military and ethnic conflicts in the 90s. His photographs were on the front pages of many Western newspapers, as dumb witnesses of the wars in the former Soviet Union. But Oleg’s career also influenced his personality. After a few quiet years, he suddenly finds a military trauma in himself. Driven by inner longing, he returns to some places where he photographed people during the war: in Nagorno-Karabakh, Abkhazia and Chechnya in order to find those who are depicted in the pictures.
Márta Mészáros' father, the sculptor László Mészáros, was executed during the Stalinist purges of the Soviet Union. The director addressed her father's fate in many of her earlier films, but this time, she focuses on her mother, Vilma Kovács.
Ngor is a young man living in a Senegalese village who wishes to marry Coumba. Ongoing drought in the village has affected its crop of groundnuts and as a result, Ngor cannot afford the bride price for Coumba. He goes to Senegal's capital city, Dakar, to try to earn more money and is exploited there. He returns to the villagers and shares his experiences of the city with the other men. The story, which shows the daily lives of the villagers, is told in the form of a letter to a friend from a villager, voiced by Faye.
Set in the countryside of Provence, the film is based on three tales from Alphonse Daudet's 1869 short story collection Letters from My Windmill: "The Three Low Masses", "The Elixir of Father Gaucher" and "The Secret of Master Cornille".
My grandma was my first idol, I would love to show her my studio now that she cannot criticize me.
One day, during the Qianlong period of the Qing Dynasty, the body of Mr. Wen, who was running a restaurant in Gyeongseong, is found dead. Upon arriving at the scene of the incident, Wang Seong-rim, a mailman from Suncheon-bu, finds a blood letter, but there are too many suspicious things to conclude as a suicide. Eventually, as a result of interrogation of Mr. Won's wife, he finds out that Mr. Won did not know the letters in his lifetime. At that time, Mr. Sa, who he had known well with Mr. Won, was murdered again with a similar technique, and Wang Seong-rim from Suncheon-bu, struggling to find a suspect, is on the verge of death...
An orphan weds an older man in circa-1900 New Zealand, then finds out he's a miser who spies on her.
An undercover cop struggling to provide for his son and ailing wife, must infiltrate a ruthless gang. But things turn sour when another cop blows his cover and he quickly finds himself battling for his life and the lives of his family.
What makes a mother give away her baby? This is the big question in Sun Hee Engelstoft’s poignant heartbreaker of a film about three Korean women who have become pregnant outside of marriage and are now hiding from the outside world until they give birth. They live in a shelter for unwed mothers on a South Korean island, where beautiful landscapes are in sharp contrast to the fierce dilemma that women go through: should they keep their children or give them up for adoption? Engelstoft has been given unique access to this particular shelter run by the strong-willed Mrs. Im, who fights for the girls’ independence but is up against a social structure and family tradition that leaves women in an impossible situation. Engelstoft’s sensitive portrait brings us close to a forbidden world and through her own experience as a Korean adoptee, she gives a deeply personal and extraordinary insight into a culture in which women can’t choose their own fate.