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As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).
A boy's life is turned upside down when he learns that he is the last of a group of immortal warriors who have dedicated their lives to fighting the forces of the dark.
The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path.
