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Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells king Shahryar her stories but these are not those in the book. These are stories based on whatever will be happening in Portugal during the production time of the film. As in the book, these stories will be tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events. This film will be about the reality of a disgraced country, Portugal, under the effects of a global economic crisis.
Some of the chapters from Arabian Nights are adapted to a modern Portugal in this epic.
In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.
In the secluded isolation of Christmas Island, crabs have become the guardians of a lush rainforest kingdom. The robber crab is an unruly king, with a meter-wide leg-span and claws that can open a coconut. As we follow the robber’s life cycle, we learn that crabs are much more than creepy crawlies.
The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the arrival of the Red Army of the Caucasus, as the Soviet revolution that has swept Russian comes to Georgia. Told as a flashback from the present, as a French-Georgian man whose mother was Pascal's lover translates his memoirs for Pascal's niece.
Moha the old man lives in Marrakesh, where he works as a wool dyer with his son, Miloud. They transport piles of wool yarn prepared for weaving carpets that are exported abroad. In an artistic and intellectual way, the director addressed the professional issues of the labor force (men, women and children) which is being brutally exploited by the handicraft sector in Morocco, and the title of the film sums up everything. A thousand hands work and only one hand benefits.
In which Scheherazade tells of how desolation invaded men : “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad !
The stories of The Arabian Nights (One Thousand and One Nights) have captivated mankind for centuries. However, two of its most famous tales do not belong to the original canon.