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May 1944, a group of French servicewomen and resistance fighters are enlisted into the British Special Operations Executive commando group under the command of Louise Desfontaines and her brother Pierre. Their mission, to rescue a British army geologist caught reconnoitering the beaches at Normandy.
Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
A documentary about French film director Agnès Varda on the set of her 1977 film ONE SINGS, THE OTHER DOESN'T. It includes interviews with Varda and the lead actors in the film.
When women start running for office, they leave their emasculated husbands to care for the babies. They turn the Chambre des Députées into a huge screaming cat fight.
This romantic, political drama is about the reunion of an Algerian woman who abandoned her lover 35 years earlier to live in France, and the lover who chose to stay in Algeria and fight the French colonials.
A very influential ex-member of the Raëlian movement, Sylvie goes in search of answers to her many questions. How could she, a free and intelligent woman, have been caught up in this whirlwind of lies for so long? In her quest for truth, in the company of her accomplice Martine, also ex-Raëlian, she will scrutinize her sometimes painful memories in the hope of understanding what prompted her to remain in this movement for more than thirty years.
Actress Liana Orfei and film historian Fabio Melelli talk about Il mulino delle donne di pietra
Today, in France, in terms of health, being born a woman is a disadvantage. Less well diagnosed than men, less quickly treated, they escape the medical radar and become invisible.
The trajectories of four women who were biographically and symbolically close to Kafka and his works: Felice Bauer, Milena Jesenska and the lesser-known Dora Diamant, his last-chance love, and Ottla, his beloved sister.
In order to inherit her husband's old aunt more quickly, a greedy peasant woman engages in various dishonest maneuvers.
The second part of "Le monde de Paul Delvaux" (1944/1946)
The workers of the clothing factory Brukman in Buenos Aires continue production during Argentina's financial collapse in 2001.