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30-year-old factory worker Simon lives a solitary existence on a decrepit farm in the remote French countryside. Devoting his time to caring for his sister Estelle, who was left severely disabled when a childhood game went horribly wrong, Simon is plagued by guilt and depression. But he sees a way out, looking to otherworldly forces as a means of liberating both himself and his sister from the corporeal prisons in which they are confined.
A soccer enthusiast like his father, Martin Lambert is the (gifted) goalkeeper of the local team. He falls in love with Jeanette and soon marries her. Alongside a happy marital life, Martin becomes a successful professional. Which proves a mixed blessing since fame makes him vain and haughty and his marriage gets seriously affected. But the Second World War breaks out and Martin is drafted. Taken prisoner a few months later, he is sent to a camp. When he is released, he tries resume his career but his wounds hurt too much and he has to give in. But not soccer: he will now proudly train young shoots.
In times of body positive movements this film pays tribute to the mainstream representation of the male body which the director has a love-hate relationship with. Through a series of gleaned images from the internet and elsewhere (“net found footage”), our cultural obsession with unrealistic beauty standards is put into question.
Ko Chun is an extremely talented and well known gambler. On the eve of a big confrontation with a famous Singaporean gambler, Ko walks into a trap set by Knife, an avid but a so-so gambler, meant for an Indian neighbour. Struck on the head, Ko suffers from amnesia and regresses to a child-like state. Knife takes care of Ko and begins to exploit Ko's gambling talents.
In Siberia, Hyōga saves a man that is being attacked. Injured, the man manages only to say something about Asgard. Some days later, Saori, Seiya, Shiryū and Shun are wondering about Hyōga and decide to go to Asgard to investigate. At Valhalla, the Lord of Asgard, Dolbar, says he has not heard of any Hyōga and neither has his right hand, Loki. However, at all times Seiya and the others can feel an evil cosmo emanating from Loki and the other Odin Saints called God Warriors. Shiryū, in particular, notices a familiar cosmo coming from Midgard, a mysterious, masked God Warrior. Dolbar makes it clear that he is trying to take control of both Asgard and the Sanctuary, imprisoning Athena in a strange dimension within the giant statue of Odin. Midgard reveals himself as Hyōga and tries to kill Shiryū to prove himself to Dolbar. Thus, it is the task of the Bronze Saints to defeat Dolbar, Loki and the rest of the God Warriors, to save Athena and Hyōga.
Wong Jing's sequel to All for the Winner and spin-off to God of Gamblers finds Chow Sing Cho looking up to Michael "Dagger" Chan in order to become Ko Chun's next disciple, but the two must put aside their differences when they discover that a gang boss is bent on ruining the God of Gamblers' name.
Following Ko Chun's earlier years as he battles for the position he was destined for: The God of Gamblers.
While battling a psychic gambler, Sing hurtles back in time to 1937 Shanghai. Now he must come to grips with his family history and get back to 1991.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Three pro surfers - gifted Shane, once-great Mickey and rising young star Keoni travel to Madagascar, Bali and Hawaii in search for the ultimate wave.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
