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With contraband strapped to the backs of their dogs, smugglers set off to cross the Spanish-French border. Having been spied upon and betrayed to customs officers, a fierce skirmish results and only the dogs and a single smuggler reach their destination.
Oscar-wining director John Schlesinger orchestrated this filmed recording of composer Jacques Offenbach's final operetta as performed by the Royal Opera in 1981. World-renowned tenor Placido Domingo stars as Hoffmann, a love-struck poet whose foolish romantic pursuits become tragic folly when he falls in love with a singing robot (Luciana Serra), a woman who sings herself to death (Ileana Cotrubas) and others who are destined to deceive him.
Rose (Kate Moran) performs a series of gruesome acts on sleazy men.
Although peace has been declared, the Palestinians continue to fight Israel for the liberation of their territories.
Witness of a murder, a young prostitute is tailed by a detective who is paid by the killer
An amusing twist on the life of the Marquise de Brinvilliers that chronicles her crazy poisoning endeavors against the dull court that surrounds her.
Why can't boys wear skirts and girls grow a mustache? Why have sex and religion come to replace the plague as our number one collective fear? Set in a folkloristic alpine background, Les contagions barbares is a whirlwind of questions that a child might ask. Through a melting pot of images and video extracts, folk music, medieval archives and handmade drawings, the childlike voiceover narrator embarks us on a journey where gender, sexuality and systemic violence collide with history, tradition, family taboos and even a Bobsleigh race.
After inheriting a forest in Africa where she decides to go, Thérèse tries to sell her property to Pascal, a gold digger who owns the land neighboring this forest. He refuses the transaction and multiplies the obstacles against the forest exploitation project to which Thérèse resigns herself given Pascal's attitude.
This adaptation of three tales by E.T.A. Hoffmann, with a sprinkling of Goethe’s Faust, portrays the German poet as both narrator and hero recounting his love affairs with Olympia, Antonia and Giuletta. Robert Carsen’s spectacular production highlights the melancholy genius of a man marked by life, with a coherence and dramatic sense remarkable for a work that leaves numerous questions unanswered. Under the baton of Philippe Jordan, Stéphanie d’Oustrac, Ermonela Jaho, Kate Aldrich, Yann Beuron and Ramón Vargas and Stefano Secco in the main role, interpret the legendary airs of this work whose brilliant mystery will continue to dazzle opera houses for countless years to come.
Once upon a time, in the middle of the last century, a great warrior named Babatou. Nigerian jumper from the region Dounga Gurunsi invaded the country and settled there. The brave prisoners were integrated into the army, women espoused. For fifty years, the adventurous young people from Niger Babatou went to live in the epic.
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).
Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.
