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Mahesa navigates his adolescence without a father figure, having resentful feelings towards his father's absence that remains a mystery. Before things take a further turn, Rembulan takes her son to an unplanned trip where she tells everything about Kalingga, Mahesa's estranged father that struggled as a trans-woman before the departure.
A young man keeps on coming back and searching for his loved-one at the place where they last met.
The residents in heaven are worried because Santa does not know what to do. All of the children would like a sputnik that beeps for Christmas. Nobody in Santa's crew knows what a sputnik is. So he has to go to earth and find out about it.
Gabriel is surprised by the arrival of Júlia, his ex-girlfriend, who goes to his house to pick up some belongings that were left there. For him it's a chance to try to talk to her, for her it's just a necessary evil. However, the conversation between the couple makes them both realize that many other immaterial things remain even after the end of a relationship. What to do with these things?
Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.
Sergeу has been traveling through 22 countries for 2 years. He met with pleasant and dangerous acquaintances, funny and tragic situations, love story, despair and joy. This is a story about finding yourself and your place, about growing up, courage, freedom and a strong unstoppable stream of life.
The main character, the chairman of the district revolutionary tribunal, Comrade Kovalev, believes that a true revolutionary should have only one love - revolution. And women, especially attractive ones, are a great hindrance to Comrade Kovalev. But he is unable to connect theory with practice. Love overcomes the ridiculous prejudices of the hero, who along the way achieves his real victory - the defeat of the White bandit gang...
Frustrated journalist Paulo is ensnared by neighbor Marina, waitress and actress. She once seduced him in the elevator, and since then, she never let him go, even though she also never let go of her marriage. Trapped in work, creative block, and Marina's grip, Paulo chooses to cut ties. Drunk, he records a love-hate farewell on a cassette for her. Film depicts his escape attempt and internal battle, shared through recording for the absent Marina.
A middle-aged push-over has an argument with two friends at the hotel he reserved for their holiday. They pick on him until an unexpected protector starts defending him. / An alien homeroom teacher gives career advice to a student.
December 13th, 1981 – General Jaruzelski declared martial law in Poland to put an end to the revolt by “Solidarnosc” (Solidarity), the first and only free union in the Eastern Block. It was a genuine people’s movement that counted more than 10 million members in Poland, and that met their aspirations of freedom, social justice, and democracy. The coup d’état was supported by Moscow and created a veritable diplomatic uproar, mobilizing public opinion around the world to come to the aid of Poland.
The director himself is a veteran news cameraman who put aside a year in the filming of this documentary. He delves into the life and work of four TV news cameramen, giving us a unique perspective on the media world, capturing the rarely seen story of human struggle in an industry where humanity has all but vanished. The documentary reveals the heartfelt feelings of Taiwanese journalists, while at the same time, paints a picture of the director’s own reflections on the ever diminishing ethics of this industry and the impact it has had upon his own life.
Christophe agrees to be filmed by his roommate Stéphane, while he is searching for a meaningful engineering job. Since he voluntarily resigned his job when he was to be moved to quality control, he does not get unemployment benefits, and goes to classes on how to contest the decision.
Turkish film industry has been experiencing a breakthrough in the last ten years. According to 2015 figures, there is a bold uptrend in terms of viewers and film production. Yet without any regulations at work, this growth only made injustices in distribution bigger. While a single cinema chain controls more then 50% of the market, it also started to control distribution and production. In this monopolized environment, there seems to be no country for independent production. With the guidance of producers, distributors, and economists, the film traces the distortion created by the bad economy that has become an obstacle for freedom of choice.
Over the past year, Sergei Udaltsov, coordinator of the Left Front opposition movement, spent more than two months under arrest. In prison, he declared dry hunger strikes in protest against illegal detentions at rallies, on the way to rallies, just on the street. Many times he was hospitalized due to deterioration of health during hunger strikes. But this most controversial leader of the Russian opposition is surrounded by people almost more mysterious than himself. What leads them, following Udaltsov to rallies, under the batons of riot police, venturing on hunger strikes and ready to jump from the Crimean bridge?
The filmmaker Nanni Moretti recounts the story of his relationship with politics, both through his films and his political activism.
A documentary about the amateur municipal team of Itabuna-BA, a team that, during the 1950's and 1960's set a record that, until today, remains unbeaten. The film focuses on the media research and on the ones who made that history.