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A bourgeois housewife, planning to go back to work as a physiotherapist after having devoted 20 years to her husband and two children, has her comfortable, elegant life turned upside down when she falls for a Spanish builder and begins a runaway affair.

An American artist's obsession with a disturbing urban legend leads her to an investigation of the story's origins at the crumbling estate of a reclusive painter in Ireland.

One sleepy Saturday morning a 30-year-old construction worker Erik gets some earth shattering news: his ex-girlfriend Moonika who he hasn't even seen for the past six months is about to go into labor. She however is not ready for motherhood and if Erik doesn't want the kid either, the little girl will be put up for adoption.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Set at the Academy of Arts over nine months, the characters encounter unexpected challenges, and their social origins are revealed to us. Sensitive topics like birth control, domestic abuse, bullying, ignorance, psychiatric disorders, and sexual harassment are also addressed.

A young physician coordinating the transfer of patients between state-run hospitals in the city of Rio de Janeiro struggles with a mystery: a patient goes missing one night and completely disappears from the system. As the doctor attempts to find out the truth, he slowly loses his sense of reality.

For a sleepless city like Taipei, the lives of the rich and poor occasionally cross. These people flit in and out of one another lives, in a seemingly endless food chain of love.

Lucie makes her living selling bathing costumes on the beach at Marseilles. She would like that her ten-year long boyfriend, Lucien, becomes her best friend. But this requires truth. For Lucien, newly made secret agent who has to play a young idler, it is mission impossible. Even more so when a young american beauty will ask him to initiate her into sensual pleasures.

Nana is a young hostess of Nakajima Inn in a town by the sea. At the beginning of September when Nakajima Inn is closed for business, a young man, Shuntaro appears and says that he really wants to stay at the inn. He explains that he lost his loved one a month ago and she had stayed at the inn just before she died. In order to follow the deceased lover's footsteps, Shuntaro wanders around the town and the beach day and night. Nana who's been watching Shuntaro's behavior volunteers showing around the town and finds herself hanging about with him a lot. This is the town she knows more than anybody. Moreover, just like Shuntaro, she is also the one who lives with the pain of losing loved ones. Nana and Shuntaro spend time together sharing each other's secrets, influencing each other and eventually, their frozen time starts moving.

An essay film depicting its director's childhood and adolescence based on his old photos. Narrated in the first person, these images are modified through manual interventions. The documentary debates and reflects on these two phases of his life that he considers to have been "amputated" when talking about LGBTQIAP+ people. Evoking his memories, the director talks about these personal issues as a form of research on his past to understand the present. The director is motivated by the realization that some feelings are shared among LGBTQIAP+ people, such as estrangement, insecurity, anxiety, depression, shyness, anger, low self-esteem, syndromes, phobias, and anguish.

In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. "Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.

A French women lives her worst nightmare when she discovers that her daughter has been radicalised, and plans to leave for her "husband" in Syria.

It's early autumn and Dr. Headley eagerly demonstrates what seems to be a miraculous cure for tuberculosis. Not far from where he is working, the disease seems preparing to soon claim yet another life, a teenage girl named Winifred. Winifred's mother and little sister Trixie are devastated. When Trixie hears the family doctor say of Winifred that "when the last leaf falls, she will have passed away," she interprets the doctor's words literally. Thinking over what she has heard, she determines to do everything possible to save her sister.

Pietro hears a knock at the door. When he opens it, he is met with an unexpected proposition.

Jiho starts delivery work with a second-hand bike she spent much to buy. One night, a small delivery mistake gets her running about, and the more she works the poorer she gets.

The events revolve around the two friends Salem and Suleiman, who work in the same government interest, and travel on a trip to Alexandria, where they meet the two journalists, Dina and Amina, to fall in love with them, and discover the presence of a thief with them on the trip, so will they be able to detect him?

A sci-fi drama about a man struggling to find his wife, who he abandoned six years ago, before their visa to emmigrate to an off-world colony expires.

Middle-aged worker Jae-bok recently lost a lawsuit asking for the invalidation of his recent dismissal. Jae-bok returns home but what awaits him are his daughters neglecting him and the feeling of worthlessness.

In the désert, a lone rider approaches at full gallop. His old tired horse is not convincing. Let's do the scene again. Still not convincing. What are we going to do with this horse?