Le Voyage En Am�

Talia is a 19-year-old Belgian girl, with Senegalese roots, who is visiting her country of origin for the first time. In Dakar, in his cousin's family's luxurious villa, he hopes to meet his grandmother. But she can't find her anywhere and the villa quickly becomes a "golden prison." Until she meets Malika, a mysterious bird peddler.

The King and his official astronomer are alone in the study viewing the heavenly bodies through the monstrous telescope. They go out on the balcony and the gay old ruler is much absorbed in the phenomenon, and spends some time in studying the stars and planets. The evening has been well spent with the many mysteries which have made such a deep impression upon the King's mind that they are still with him in his dreams. (Moving Picture World synopsis)

We are incredibly excited to present 'A Voyage Through Time'. This will be a cosmic online live experience with full production, an aural and visual journey across two decades and seven albums of Voyager, inspired by a fan-voted set list and a tribute to the songs that have stayed with you, our fans, over time. We might even throw in a new song This is a Voyage that won't be forgotten. The show will air on Sunday September 5th, a date which celebrates the Voyager 1 Spacecraft that was launched by NASA.

As he usually does, Denis Gheerbrant has left alone, with his camera and sound equipment. This time around he has decided to discover a country he has never visited before : Rwanda. The year is 2003, that is to say nearly ten years after the genocide. With the help of Déo, met in Kigali, who will be both his guide and his translator, the filmmaker meets the people who have survived,with only one objective in mind : trying to understand.

Perrichon, a well-off self-satisfied bourgeois, goes on holiday with his wife and his pretty daughter Henriette. He is more or less willingly followed by two young men, Armand Desroches et Daniel Savary, who both have fallen in love with Henriette after meeting her at a ball. The Perrichons's vacation will be eventful with, among other misadventures, two accidents (one real, the other fake) and the threat of a duel.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

"The iconographic journey: the martyrdom of San Sebastian" takes the form of a personal travel notebook. A travel through Europe in search of thirty pictures of this martyrdom. The film is conceived as a voyage of initiation, an imaginary reportage...

Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.

A romantic encounter in the train between a girl and 2 cops

For the benefit of those who are not fortunate enough to travel and enjoy the beauties and customs of different countries, a film of this kind is an innovation, for it takes us on a boat down the beautiful Imperial Canal of China. If we were there in reality it could not be much more enjoyable than this picture, which favors us with a wonderful view of the famous wall of China as it stands to-day in a stage of decay, a monument to a famous fanatical nation.