Le Voyage De Mickey

A fictionalised documentary about the great Japanese poet Bashô (1644–1694), the spiritual father of haiku poetry. A monk, portraying the poet, journeys through Japan, following Bashô's journal and writing many of his haikus. A ruminant, poetic, Zen Buddhist observation of nature – a return to the lost paradise of unspoilt nature.

Kgonta Bo, 79, is one of the last shamans of the Kalahari San Bushmen. In turn village healer, soothsayer and storyteller, this delightful great-grandfather takes us on a unique adventure. Invited by his friend Lucinda Backwell, a South African anthropologist, to help identify and describe in click language an incomparable collection of 3,500 San artifacts, the shaman's ancestral knowledge also sheds a new light on a 40,000 year old mystery and our universal past.

Talia is a 19-year-old Belgian girl, with Senegalese roots, who is visiting her country of origin for the first time. In Dakar, in his cousin's family's luxurious villa, he hopes to meet his grandmother. But she can't find her anywhere and the villa quickly becomes a "golden prison." Until she meets Malika, a mysterious bird peddler.

Perrichon, a well-off self-satisfied bourgeois, goes on holiday with his wife and his pretty daughter Henriette. He is more or less willingly followed by two young men, Armand Desroches et Daniel Savary, who both have fallen in love with Henriette after meeting her at a ball. The Perrichons's vacation will be eventful with, among other misadventures, two accidents (one real, the other fake) and the threat of a duel.

"The iconographic journey: the martyrdom of San Sebastian" takes the form of a personal travel notebook. A travel through Europe in search of thirty pictures of this martyrdom. The film is conceived as a voyage of initiation, an imaginary reportage...

A romantic encounter in the train between a girl and 2 cops

Maodo returns to his home in Nouakchott after a long trip. He resumes his old job as a traveling merchant to support his family. One night, the young family man returns late, which deeply worries his wife and son, who wander around the city looking for his whereabouts.

Georges Méliès' adaptation of Jonathan Swift's "Gulliver's Travels" is most distinguished, today, for being a color film of the classic story. Color was rare in 1902 (and many years after) as non-tinted color has to be hand painted on the film; this was an arduous task. Also notable is the film's short running time of approximately five minutes. Much of the original work is not covered, but viewers were expected to be familiar with the story, and enjoy the filmed highlights. There are a couple of scenes missing; according to contemporary reports, Gulliver's shipwreck was certainly included. You can do a lot in a few minutes, as Mr. Méliès includes a re-make of his own "Une partie de cartes" (1896), which already looked like something previously covered by the Lumière Brothers.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Francis is a taxi driver and comic book artist who begins drawing a fantastical comic series about an intergalactic taxi driver in outer space, only to find that the stories he imagines for his comic strip start to materialize in real life.