Le Théâtre Ma Vie

Eliane Walther's puppet theater has been presenting fairy tales for children since 2008. She creates a magical and poetic world with simple means. Everything is created by hand in miniature form, from the witch's house, the protagonists and the books to the vegetable garden. During theatrical performances, Eliane Walther varies her own voice for each character. This brings the wonders and adventures of the stories to life and delights her audience.

Rose, an aspiring actress faces the cruelty of the acting world when she is judged on her looks rather than her talent.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?

The fortunes of a small theatrical company based in the Paris suburbs.

Near Trianon, the young Queen Marie-Antoinette built a small and secret theater, to act and sing herself with friends and family. The little theater is still there, newly restored. For the first time since the XVIII century, opera arias and symphonies by Gretry and Gossec, two of the queen's best composers, are played with ancient sets and instruments. A cycle of late 18th century music, programmed by the Baroque Music Center of Versailles, showcases the finest compositions of the musical repertoire played in Paris, under the influence of Marie-Antoinette, during the reign of Louis XVI. The Center joined with French-speaking musicians from different horizons, giving pride of place to the great French-Walloon composers, Andre-Modeste Gretry and Francois-Joseph Gossec. Both enjoyed major careers under Louis XVI: the first built his reputation on his comic operas, which Marie-Antoinette greatly admired; the second came to be considered the true father of the French symphony.

Louis lives alone with his father. When he tries to find his past, he is met with refusals. One day, Louis understands everything, or rather he believes. What if he had been fooled?

Recorded in Paris, Theatre de l'espace Cardin. Louise is single, Alexandre is in the middle of a divorce, she has no children, he has three, she is more on the left, he is more on the right. Both are over fifty! If there is no age to fall in love ... love and life together are an equation that gets complicated with age! The charm of chance encounters is that they bring together people who attract each other without necessarily being compatible.

The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.

Dr. Clayton Forrester figures he can rule the world if he deadens his subjects' brains by making them endure terrible movies. Exploiting his access to nearby satellite-dwellers Mike Nelson and his robot pals, Crow T. Robot and Tom Servo, Forrester makes them watch "This Island Earth", a cheesy 1950s spaceship film. But when Mike and friends make funny comments throughout the movie and others that follow, Forrester's plan looks increasingly flimsy.

Charlie is in charge of stage props and has trouble with actors' luggage and conflicts over who gets the star's dressing room. Once all that is resolved the next issue is getting everyone on stage with the correct backdrop.

Max is a stage struck youth, and because of a deep-seated desire to go on the stage, refuses to consent to a marriage his father has planned for him. The girl, whom Max has never met, is also stage struck, and entertains no wish of marrying him, though her mother is anxious to see her make the alliance. The parents finally manage to bring the young people together, and they, in turn, exert all their skill in an attempt to disgust each other. An accidental meeting between the two when they are off guard causes them to change their minds.

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.