Le Temps

It is with regard to the painting "Nude descending the staircase" that Alain Jaubert has chosen to evoke the work of Marcel Duchamp. It is 1913, in New York, and the work of this 25-year-old young man, which depicts different moments of the action of the same character, is causing a stir. Cubists do not recognize it as one of their own, and traditionalists see it as a dangerous iconoclast.

Cats laying, moving, leading a kind of interlude directed by Anne-Marie Miéville.

A man who is lonely makes his last effort to end that loneliness the only way he knows how.

Using a Super8 camera, Henricks employed time-lapse photography to document the interior and exterior of his apartment. Inspired by the work of Virginia Woolf, this video uses writing as a metaphor to examine temporality and impermanence. Time Passes is part a series of works that explores one of the principle metaphors of video: the window.

Gus Mackinson, financial engineer at Bergsons, is in charge of the development of Goose, a predictive analysis software. However, by anticipating the future too much, Gus finds himself incapable of living in the present moment.

The story takes us from the dear Garrigue to the secondary school where Marcel is first ill at ease because he is a scholarship holder and because he went to the grade school (the other bourgeois pupils had probably a private tutor). A fight against a rich kid ,that augurs badly for what is to follow. (to be followed in "Le Temps des Amours" )

A poetic essay. An Algerian soldier wanders through Algiers and the countryside, whilst a voiceover of the soldier's mother laments his death.

A writer has her alarm clock stolen after a sexual encounter.

Ben is a middle-aged diver, William is a teenager. Their world will connect for a time suspended moment, they will let go through their sorrow under the music’s salvating and liberating flow.

The time of a dance is about the day-to-day life of a young, Benin fisherman who is in the transition period between grieving the death of a loved one and accepting it.

Via the New York Times: ""Le Temps Detruit" is a low-keyed, dreamlike recollection of the first year of World War II as recorded in the letters sent home by three French soldiers, each of whom was killed shortly after the "phony war" came to an end with the German offensive in May 1940. One of these was the father of the film's director. The two others were Paul Nizan, the writer and Communist, who became disillusioned with Marxism when the Hitler-Stalin pact was signed, and Maurice Jaubert, the composer who wrote the scores for a number of films, including Jean Vigo's "Zero de Conduit.""

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

Tick-tock. Since the invention of the mechanical clock and the advent of capitalism, mankind has been accelerating its pace of life. Without realising it, this century has created a definition of time that no one in the past or present could understand or imagine. Time has become ‘that which is missing’. How did this happen? Spend 52 minutes exploring the changing perception of time in our society and the surprising consequences that have resulted.

Lying on a spring soil of the Gran Paradiso massif, Boque, injured and exhausted, will die. It's the end of a busy life as an ibex, punctuated by tightrope walks along the vertiginous cliffs of the Italian Alps, dodging against lurking predators, and tough duels against his fellow creatures. From his birth, Boque will have survived many dangers hidden in the shadow of the massif: the golden eagle, the fox or the wolf, but also the snow squalls which cover the landscape with a white coat, making all food inaccessible. As he grew up, Boque asserted himself as an ibex respected by his congeners, until he became, like his father before him, the dominant of the herd.

A pivotal work for video art of the 1980s. Fragments of time during a journey where the changing landscapes become full players in a story shown in shadowy backplay, which relates the imagined encounter of two passengers.

Ever since the sixteenth century, French craftsmen, with their expertise, have been creating the very essence of luxury. Who are these craftsmen today? What is their vision of luxury? Four artisans take us inside their world. With great sense of humor and strong straightforwardness, they freely criticize the fashion industry. Made in France products that are not made in France, clients who don't know what they buy... And everyday, a more uncertain future for real luxury items : the craftsmen's workshops are closing down one by one... The four artisans we follow are a few years from retiring, and they have no one to take over. Who will assure the making of Haute Couture if they are all gone?