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Documentation of an exhibition entitled Le Mouvement held in Paris in 1955, co-curated by Breer and Pontus Hulten. Features works and appearances by Breer, Tinguely, Agam, Soto, and others. — Anthology Film Archives
Following the assassination of young Abdennbi Guemiah by a trigger-happy man in the Gutenberg transit neighborhood in Nanterre, France, residents are fighting for justice for Abdennbi and for the relocation of the families.
Usagi has come to the airport to see Mamoru off as he heads to the US to study abroad, but someone shatters Mamoru's body to pieces. In shock, Usagi loses her memory and collapses, but a member of the super idol group the Three Lights is there to catch her. That day, the Three Lights were to star in a music festival. Usagi and friends were planning to perform as well, but a new enemy arrives. Calling themselves "Shadow Galactica," these enemies are Sailor Guardians aiming to steal Sailor Crystals! At the same time, a mysterious young girl named Chibi Chibi and new Sailor Guardians, the Sailor Starlights, also appear, and a battle on an unprecedented scale begins. Sailor Guardians vs. Sailor Guardians! Fittingly the Sailor Moon "final battle" has the future of the galaxy at stake and it starts now!!
It all begins with a childhood memory: that day when the father of the future filmmaker Sebastiano d'Ayala Valva forces him to listen to certain music that initially terrifies him; a distant echo from the past that leads him to follow the trail of his mysterious ancestor, the Italian composer Giacinto Scelsi (1905-1988), who claimed that his music was directly inspired by the gods.
The film retraces the atypical journey of Gilles Clément, gardener and landscape architect, but also a writer. Marked by ecology, he questioned the art of gardens at the end of the XXth century, with the garden in movement, the planetary garden or the third landscape.
They have a job that suits them, enjoy their colleagues and take time to enjoy the simple things around them. They wake up every morning next to their loved one. Yet they no longer enjoy anything, constantly being pushed around by a society that demands more and more of them, and burdened by problems that are beyond them.
The movement of images, a thematic showing of the Musée national d'art moderne collection, revolves around the cinema and its influence on issues in modern and contemporary art.
It's vacation time for outdoorsy Chicago man Chet Ripley, along with his wife, Connie, and their two kids, Buck and Ben. But a serene weekend of fishing at a Wisconsin lakeside cabin gets crashed by Connie's obnoxious brother-in-law, Roman Craig, his wife, Kate, and the couple's two daughters. As the excursion wears on, the Ripleys find themselves at odds with the stuffy Craig family.
A symphony of the city in the heights, the illness of a worker, the nightmare and his redemption.
In 1927, meteorologist Masanao Abe (1891-1966) established the Abe Cloud Air Current Research Observatory on the heights of Gotemba in Shizuoka Prefecture. Until 1942, through his contributions to research magazines and publications, he worked on elucidating the formation process of clouds above Mount Fuji. He left a colossal archive representative of modern meteorology, including pictorial records of every kind-- this one an early success, artistically.
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
A picture of daily life punctuated by silence. In a village in the north, the daily routine of three families. Glimpses of Isabel, her eyes turned towards the future; for the others, living is the only meaning of life. The camera freezes moments of life through the movement of things in time, values and silence. - Cinéma du Réel
In 1982, the socialist researcher Ishidō Kiyotomo organized a round table with women activists who had participated in the rise of the labor movement, from the Taishō era (1912-1925) to the Shōwa era (1926-1989). At his request, Haneda records this meeting. Stimulated by her desire to " preserve the history of these women ", the director adds additional sequences to the recording. In the film, the discrimination and domination suffered by these activists are told in the first person.