Le Maria

Part of the series La Vie telle qu'elle est.

Henry de Sacy, inveterate Don Juan, learns that he will inherit a million euros from his old aunt, on condition that he gets married within the year. As he refuses to depart from his love of women, his friend Norbert, a lawyer, offers him to marry a man. Thus he would respect his aunt's last wishes without losing his freedom. Seduced, Henri offers this unusual contract to his friend Dodo who is single and unemployed. But this marriage for the better will quickly turn into a nightmare...

A short film from 1990 by director Christine Carrière

Psyche, the daughter of a king, and a mortal, is so beautiful that even the God of Fame is fascinated by her charm. He hurries to tell Venus, Goddess of Beauty, that her loveliness is surpassed by a mortal. The jealousy of Venus is aroused and she orders her son, Cupid, the God of Love, to avenge the indignity. One glance at Psyche and Cupid revolts. He beseeches his mother to relent, but Venus is deaf to his pleading and swears to destroy her rival's powers. While joy reigns in the court of Psyche's father, Venus strikes at Psyche by inflicting an illness upon the king. His malady baffles all, and in desperation the queen consults the oracle. The oracle decrees that when Psyche marries a mortal her father will be saved. However, Psyche's husband will be a monster who will devour her.

Again Max is forced into marriage. If he doesn't marry soon he won't get any more money from his uncle. As all three candidates refuse his proposal he talks his servant into playing the bride. He manages to fool his uncle and both get actually married. As soon as he holds in his hands the treaty that grants him a huge amount of money the hurry home. When his uncle pays them a visit they are found out.

A Parisian painter working in the Basque country succeeds in keeping together a young woman and her smuggler boyfriend, even though the artist has feelings for the intended bride himself, and then he completes a painting on the subject of the wedding.

Bernard accompanies his friend Roger on a circuit. They witness a serious accident. Roger rushes in and saves the pilot's life. In the explosion that followed, the three boys were injured and were soon taken to hospital.

Short film about marginal scrap dealers. After viewing it, the O.R.T.F. refuses to broadcast the film for its "pessimistic darkness".

Comedy starring Yvette Andréyor and the director, Léonce Perret.

Suzie takes a cruise and finds a flirt behind her guardian's back.

Verena, a farm servant, gives birth to a little girl and for the happiness of her child, tries for nearly twenty years to bend the selfishness of the seducer who did not marry her. When she returns to the village, she has worn herself out at work, but she has the consolation of seeing her daughter's future assured.

A staging of Beaumarchais's play "The Marriage of Figaro" by Christophe Rauck.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Suffering from a serious illness, Mariamu and those around her find themselves in conflict with their traditional values.

It's the day of Figaro's marriage to Susanna, but first he must help the Countess divert the Count's attention away from Susanna and back to her, while arranging the betrothal of Cherubino and Barbarina.

The film is a delightful tale of a spoiled wedding between child's toys which shows Starewicz's typical style of making amusing films appropriate for children without much sentimentality. As in many of his other films, his daughter Nina plays the role of the child.

The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?