Le Livre Mag

Statross is a mixed-race baron who lives in a mansion haunted by the ghost of his father, a Nazi colonel. Statross is tormented by his identity and the past of his ancestors.

Émile Cohl mixes live-action and stop-motion animation in this charming evocation of the power of imagination. A magician shapes his cane into a hoop with strange properties for a young girl. Costume changes and city promenades give way towards greater abstraction as the film becomes absorbed by what goes on inside the ring.

An actor who does not suffer fools gladly finds himself replaced by one in this comedy. The citizens of a French village decide to celebrate their history by staging a play that will chronicle memorable events from the town's past. The play's author, Alexis, casts his wife Janine (Isabelle Candelier) in the leading female role despite her odd way of delivering dialogue. However, for the male lead, Alexis hires an arrogant professional actor from Paris, Jean-Pascal Faix. The village simpleton, Andre , has volunteered to serve as a stagehand and prompter. When Andre mistakenly leads Jean-Pascal into a trash dumpster that's soon dragged away, he's convinced (falsely) that he's killed the Parisian actor -- and is determined to take his place so that the show will go on.

The second part of the Statross le Magnifique trilogy, which tells the story of a neurotic mixed-race baron in northern Europe at the end of the 90s.

In the 70s, in the Goutte d'or district, three friends of Algerian origin: Poulou, a failed boxer, Amar, the clumsiest of thieves, and Jibé, a public writer for illiterate compatriots whose lives he knows in detail. As he betrays none of their secrets, he enjoys great prestige in the bistros where he works. The three of them lead a casual life, raising money by illicit means. It's only when Poulou and Amar leave that Jibé understands his isolation and marginalization. The images as well as the sounds help to reinforce the feeling that Paris is a city where he is both at home and a terrible stranger.

A barocco environment inspired by shared desires and fantasy (that led to the co-writing of Corptrass, a scenario by Michel Journiac and Stephane Marti in 1980) shelters fragments of the story, passion and doubts of the master of Corporal Art.

The authorities of Springfield ask Spirito Santo/Holy Ghost, which in turn will require the help of Diego of Habsburg and his colourful gang, to eliminate the threat constituted by an elusive masked bandit – and arms dealer – known as Solitario.

The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.

A bygone symbol of the luxury of yesteryear and a true institution in a provincial town, the "Grand Magasin" is living its last hours. Indeed, the management, which can no longer afford the establishment, is preparing to sell the store to a large distribution group. Agathe, a saleswoman in the men's department for more than 25 years, is shocked to discover that all the staff will be laid off. Feeling both betrayed and responsible for the future of the "Grand Magasin", she becomes a passionaria, leading her colleagues to revolt, a true leader. The operation finally seems to bear fruit when the sale is cancelled and a new director is appointed.

In 1968, the Italian Communist Party sent director Luigi Perelli and chief operator Ferruccio Castronuovo to France to film the events of May. Announced by the voice of Léo Ferré singing L'Été 68 during a concert, the film's images trace the origin and development of the French student and workers movement during the months of May and June 1968.

Paris of the 1930s, in the world of little rascals. Loulou gus is in the shade. To get a clean crust, it needs sorrel, fuzzy, dough. Especially since he owes a package to Pierrot's band that is close to making his skin. But Loulou is madly stiff. Luckily, Paul, who has a crush on her, spins in a small jewelry store. This is the perfect breakage opportunity. From a frill-frac behind the fagots. But Jo, Loulou's acolyte, who has no gas on all the floors, promises us not the breakage of the century, but at least the breakage of the evening… And then the Mother Mercandieux, jeweler of father in girl, is not ready to leave his jewelry to this band of thugs ... Especially since Paul is not going to let himself be told too long. So beware, there’s going to be some mayhem!