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How Robert, who does not manage to impose himself in the representation, sees his life turned upside down when he begins a career as a street vendor, which, thanks to his resourcefulness, turns out to be more and more brilliant.
Corruption on the boxing circuit at the turn of the century provides the basis of this French drama. The story centers on a talented young fighter, a logger that Abel Ginoux and his Italian partner Zipolino, a crooked doctor, discover during a fight in a woodland town. The logger, Passe Partout, is in a fight with Ginoux's best fighter and ends up accidentally killing the pugilist. Ever the opportunist, Ginoux lures Partout into the ring to replace the late fighter. Partout proves to be the classic provincial innocent with high, rugged ideals and little knowledge about the modern world. Ginoux takes him to town for the first time and the logger is delighted to discover amenities such as electricity and silent films. He soon falls in love with the beauteous Camille who works in her late father's cafe with her mother. Her father made many of the films, most of which are boxing matches, because he believed that the presence of a camera rendered a fight unfixable.
Adolphe 'Dolfo' Rashevski travels to Israel with grandson Ric, but his brother, orthodox rabbi Samuel 'Shmouel, refuses to come attend their fellow Auschwitz survivor sister Rosa's funeral. Back in their home, the whole well-integrated family and their 'gojim' (non-Jewish and would-be) partners regularly wrestle with the meaning of Jewish blood, traditions and religion. For one it seems the way to gain a wife, for others the bomb under or the obstacle for a marriage. Yet love tends to conquer all but death.
Charlie Chaplin and Buster Keaton were two incredibly talented artists who enjoyed enormous worldwide success at a very young age. The two giants of the golden age of silent cinema were perceived to be constantly competing with each other for the crown of the king of laughter.
Tunisia, before the revolution. A man on a motorbike, razor blade in hand, prowls the streets of Tunis slashing women's buttocks. They call him The Challat, aka "The Blade", and the mere mention of his name provokes fascination and terror. Is he a lone criminal, an urban legend, or could he be the creation of a political group or religious fanatics? 10 years later, in the aftermath of the Arab Spring, a stubborn young female director sets out on an investigation to unravel the mystery and discover the true Challat of Tunis...
Part of the series La Vie telle qu'elle est
The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.
Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.
Set in Rumania, the film focuses on a female secret agent who intends to use an airplane to fly behind enemy lines. While she awaits her flight to destiny, the girl spends several days with a French flying squadron. Her sexy presence causes the pilots to begin fighting among themselves, resulting in disaster for all concerned.
Filmmaker Sevastian Kanarskyi asked his aunt to write a text about dreaming.
Italian nunsploitation movie from 1972
During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.
Louis Jobin is an ordinary young man from Montreal who sells televisions at an electronics store. He wins a contest sponsored by the local cable company in which the first prize is that he'll be followed non-stop by a camera crew, with the footage broadcast live on Channel 19. Unfortunately, his ordinary life is so ordinary, despite the best efforts of his starstruck mother, that the producers attempt to spice things up behind his back.
To better understand the essence of happiness, filmmaker Nathalie Hébert speaks with Lucien Comeau, a musician and “philosopher of the everyday” who lives in Tracadie-Sheila, New Brunswick. This simple, informal portrait nonetheless moves beyond conventional, preconceived ideas to offer profound insights into the meaning of life and success.
A swashbuckling heritage reveals itself as the adopted son of 19th-century Spaniards develops into a suave lady-killer.
This bright domestic drama captures a moment in time when, for a large number of idealistic and grateful French men and women, the promise of Russian communism was bright, and everything Russian was a source of joy and amazement. In the story, Irene was rescued from Auschwitz by soldiers from the U.S.S.R., and since that time she has enthusiatically considered Russia to be the source of hope in the world. Her more pragmatic husband has, by 1958, grown somewhat weary of her enthusiasm, which has led her to decorate their apartment with anything Russian she can get her hands on. Matters come to a head when she is befriended by three members of the Red Army Choir during their tour of Paris.
Albert Schweitzer (1875-1965), the mission doctor, theologian and philosopher who founded a hospital in the rainforests of Gabon, achieved sainthood in his lifetime, at least in the popular imagination. The critical assessment of his life and works in recent years, however, has been slightly more ambivalent. Ba Kobhio Bassek is the first director to examine this medical missionary from a purely African point-of-view.