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1875. After completing her studies in boarding school, the young Duchess Anna Castellani, returns home and meets by chance a friend of her father, a count much older than herself.
A disturbing exploration of what it means to be a man Desert Wind unveils the innermost thoughts of 13 men about their lives and male identity, making a clean sweep of clichés. Their revelations -- a glimpse of the hidden side that few men spontaneously reveal -- are of equal interest for women.
The Boli which gives its name to this opera is a magical “fetish”. In the Bambara animist culture of Sub-Saharan Africa, it was the most sacred object because it was a source of power. Passed down from generation to generation, the Boli is a link between the dead and the living since it can contain the relics of deceased chiefs. Since the Boli has the memory of a people, it is through him and his guardian in the museum that we create our history of Africa. A story where magic and materialism collide. A story that tells the absurdity and cruelty of the rapprochement between Europe and Africa. "A rapprochement that has not always been done in good conditions" as Aimé Césaire said. Accompanied by an old choir and a female choir, the music composed by Damon Albarn is the metaphor of Boli. With the musicians, she embodies her magical power, her “soul”.
Silent film.
A young inexperienced photographer is passed by a model in 60s Belleville. Guided by a coquettish girl, trying to find the ideal place to succeed as a model. Shot entirely in natural settings, this short film builds a journey to the characteristic style of the French New Wave style.
In a Tunisian village, most of the men have emigrated. The stone-breaker hasn't gone away. His wife harasses him.
A variation on the oedipal myth.
Popolka takes advantage of the absence of his shrew of a wife to indulge in the delights of single life. His manager showers him with favors because he is in love with a young woman whom he believes to be Popolka's wife. When Madame Popolka returns, the situation becomes confused...
In Montreuil sous Bois, in the Paris suburbs, Georges Méliès set up the world's first film studio in 1896. He built a second one in 1905. He shot more than 500 films there until 1913. In 1904, Charles Pathé built a studio a few hundred meters from there, which completed the installations in Vincennes; in 1909, he sold it to the famous producer Zecca. Later, Max Linder also came to work at the Montreuil studio. In 1920, Pathé gave up film production and sold his studio to Russian exiled filmmakers: Ermolieff, then to Alexandre Kamenka. They were among the most active producers of the 1920s. With great actors like Mosjoukine and a remarkable technical team, Kamenka was to launch such important filmmakers as Volkoff, René Clair, Jean Epstein, Jacques Feyder and Marcel L'Herbier.
Directed by Youssef El Ftouh
