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Since the death of their parents, while they were still teenagers, Jéremie and Maxime live alone together in an old manor at the edge of the sea. It's the sole remaining link with their family roots. Over the years, Jéremie, taking on the role of big brother and father, has continually looked after Maxime, who is still affected by the accident. Like wounded galloping horses, they have to face their destiny and confront death in order to recover their identity and be at peace with themselves.
Henri Haas is the owner and the manager of a glasses factory in the Jura mountains.His son Louis is not interested in the management of the this factory.So Henri Haas has made interviews with some young economists.Among them Paul Touré, a French man born in Mali who tells Henri that he wants to a make a practice in the United States.Later Henri called the notary of Paul Touré and asked him to cut Paul's incomes.So Paul accepts the job and arrives at Morez.Immediately Henri convokes his employees and tell them that from tomorrow Paul Touré will manage the factory.
Documentary
In 2011, Thomas Corriveau created animated images for the choreographic show Jusqu’au silence, a solo by his sister Sophie. Five years later, he develops his own animations by combining them with the shooting of the show to make a film. This new work symbolically extends the experience of the initial show, obtaining a vibrant and powerful product. Brother and sister take us to an intimate and contrasting universe, which vacillates between balance and madness, imagination and vertigo.
Cahen surveys a New York in transition, in transit, in smog, in chaos and in peace.
Few hours before the end of the world, a guy is looking for his ex girlfriend in order to offend her.
The young Amar, father of two children, lives on expedients and looks in vain for a job in Algiers. He decides to emigrate to France, and finds a job there, but quickly loses it after a roundup and custody for several days. Led by two shady Europeans he met in a café, he embarks with other unemployed people for well-paid work on the plantations of Madagascar. The boat that takes them finally docks in Algiers! This film had disappeared for almost fifty years. Ahmed Bedjaoui mourned it until the Berlin Cinematheque found the only copy of this work in its archives, restored it, subtitled it and screened it at the opening of its festival in 2015. The film was thrilled the large audience present, made up of professionals and knowledgeable film buffs. Due to the modesty of its self-produced means, but also by aesthetic choice, the film oscillates between neo-realist cinema and cinema vérité.
