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The adventures of Rak, who after his dismissal begins to reflect on the meaning of the word work and on the act of working.
Join Maurice, the beloved penguin-tiger, and the Jungle Bunch on their exciting quest for hidden pirate treasure! Hold on to your seats, because the wacky treasure hunt includes all sorts of new adventures and silly surprises, including booby traps, a village of crazy rabbits, and a mysterious "Yellow Dragon." Can the Jungle Bunch outsmart Captain Grubby Beard, his evil gang of Pirates, and an outrageous heap of obstacles to find the precious hidden treasure?
Richard and Philippe live hand to mouth, backing up a gang of Spanish pickpockets on the streets of Paris, posing as policemen who arrest a gang member while the others rifle the pockets and purses of gawkers. When all of the gang except Richard and Philippe are pinched, things look grim. Plus, Richard insists that they take in a wide-eyed immigrant lad, a deaf-mute left behind in the arrests. Philippe suggests a three-person pickpocket trick, using the boy, but when that goes spectacularly badly, they hit rock bottom. Then, at the cinema, the lad finds a solution. It's time to celebrate.
A “reading film” of delirious image and text, Les chants de Maldoror takes its title and inspiration from Comte de Lautréamont’s 1869 proto-Surrealist poetic novel which, for instance, describes beauty as the chance encounter of a sewing machine and an umbrella on an operating table. In the novel’s six cantos, a young misanthrope indulges in depraved and destructive acts. Unexpected encounters abound, with turtles and birds joining Terayama’s regular cast of snails and dogs to wander over books and bare torsos. Feverish video processing posterizes, inverts and overlays images that are further colored by sound—pushing the limits of his literary adaptation. Terayama wrote that the only tombstone he wanted was his words, but, as Les chants de Maldoror demonstrates, words need not be confined to carved monuments or bound hardcopies.
The academic year is fast approaching, it is the decisive moment for Daniel, 17 years old, to convince these parents of his choice of training
After more than 40 years of absence, Socrates spends some days in Corsica, accompanied by his son Antoine, to see his cousins. But Antoine discovers his father's secret before his birthday party.
The old Lion King, oblivious to the fact that he has become the laughing stock of his Royal household, dreams of more heroic days. Meanwhile, his ministers have plans of their own. A short animation by Wladyslaw Starewicz, part of a series of two based on the fables of La Fontaine known as Deux fables de La Fontaine.
In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.
Based on interviews and personal writings, this documentary gives an overview of life at the time: the century of world wars, ideologies and totalitarianism.
On February 21, 2019, John Raymond Boulanger is preparing to leave the country to return to Colombia. On the last day of his probation, he reveals for the first time many secrets about his career as a mercenary pilot. From the CIA to Pablo Escobar, from the deserts of Libya to the Cali cartel, no Quebecer has lived a similar story.
A banker has died. He trafficked in nuclear material, so French intelligence assign two agents to find his list of contacts, which are on a flash drive: Muriel - the boss, acerbic, willing to sleep with any man, wondering if she should have a child - and Philippe, younger, boyish, meticulous, bothered by Muriel's frank sexual interest. They watch Constance, the banker's widow: a naïve, friendly, open, trusting. She's taking opera lessons, so the French spies join the class, which Muriel enjoys. It seems that other spies are after the same USB, and some of them sing as well. Singing, spying, and sex lead to duets of all kinds as well as to an eventual showdown.
Gravely ill, Prince Woronzeff asks a friend and look-alike, Franz von Naydeck, to replace him at the wedding of his daughter Nadia, whom he has just found, as the family covets the inheritance. Diane, who once loved the prince, doesn't betray the secret, because she now loves Franz and separates him from his pseudo-daughter, with whom he had begun to fall in love.
An African mask, lost in some western collection, is returned to its native Mali, while its keeper becomes over time a kind of ferryman from one world to another and from western to African civilization. Constructed as an ethnological road movie, the film progresses with each step taken deeper into the African bush, into a zone where magic and reality take turns providing the answers.
Coming from a long line of singers, since his father, his grandfather and even his great-grandfather were known for their musical talents, Barthélémy Arakino was born in 1956. He grew up among the Tuamotu and its district of Outumaoro, in Tahiti. The boy learned to write songs from his father, in the Paumotu language of Hao. At nineteen, he went to France for the first time with the army. The success of his first song recorded in the studio, On my return from metropolis, opened the world to him. He was thus able to travel in Europe and the United States, performing on various stages. Barthélémy has long been the only singer to make a decent living from his royalties in French Polynesia. Filmed just before his death in 2015, this film is the only documentary dedicated to this sacred monster.
A man is accused of a crime he didn't commit. He will be sexually abused in prison.
Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.
