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Through a computer screen we travel through the streets of a bygone Mariupol, the recurring presence of a bicycle is intriguing. Who does it belong to?
This hand-tinted picture shows a series of hothouse flowers turning upon a pedestal, then displays time-lapse photography of flower growth.
At the request of his wife Hermeline, Renart tells their youngest child, Rovel, some of his best tricks.
A short documentary on the fabulous courthouse building in Brussels from the architect Joseph Poelaert, temporarily a house of dreams structured in 26 bits, 1 for each letter of the alphabet, from A-Z.
A paean to Darwin and his theories, this documentary on the increasing complexity of life forms as they go up the evolutionary scale is fascinating in its visual images. Microscopic organisms in a tiny drop of water vie for the viewer's interest with birds and monkeys and other animals in their natural setting. Intelligence and awareness increase on the way toward more evolved species until it becomes clear that different kinds of apes and monkeys are fairly calculating in their use of tools and communication. One drawback is that the narration does not entertain on a par with the images captured on camera.
This colorful wildlife documentary follows the flight birds and expresses the need for conservation and sanctuaries. Baby seals are shown being clubbed to death for their pelts. The creatures of nature face the biggest enemy in humans who pollute and show callous disregard for the sanctity of wildlife and conservation.
Directed by Mustapha Diop.
Constructed through songs and memories, this acute musical film addresses the traumatic experience lived by young survivors from different parts of Africa. In the French village of Conques, a therapeutic space is provided to them so they might overcome their past and, by singing out loud, allow themselves to think and live a possible future.
Inaugurated in 1930, the Capitol has been able to survive through 90 years of successive ownership by prestigious families such as the Namazies or the Shaw brothers, and today by Perennial Holdings, as well as of various historical, cultural and architectural vicissitudes, always reborn like a phoenix, thus mirroring not only the cinematic history of Singapore, but also reflecting the many cycles of change that the city went through.
This film from the human fascination with immortalié stone, described by Roger Caillois in his book STONES. A cult of the stone has a long history in Asian countries like China and Japan. Moving from the mountain to the sea, the film unfolds like a dream incantatory which is the theme: In China, a mountain of Tséchouan, it is said that there was once a stone that had children. Beyond their age difference and the distance between them, those who dream of one stone are in constant contact. Fascinated by the same stone, their thoughts, their gestures, their desires end up merging. One day they will be reunited in a garden called the Garden of the ages. It describes the garden as the meeting in the same place and the same time the four seasons of life: the birth of spring, summer childhood, fall of man becomes an adult, the old man winter. This garden is both in and out, like a large house containing its own garden.
The full-CG-animated graduation film tells the story of a crazy french scientist who wants to fly. So he builds different flying machines to realize his dream.
There's a wedding tomorrow in Boromo. Nobody wants Ali and Abdou to mix for the party. But for the eyes of a girl, Abdou will find a way.
Short documentary about older cyclists who annually tour the great Alps. We see them take some well-deserved rest on the coast of the Mediterranean. There they look back on what moves them and on highlights from the history of cycling.
Saul De Tarse is a Roman soldier who is making rough all over. He arrives at the Golgotha when the apostles remove the cross. He ruthlessly persecutes the Christians, even though they are his own friends.
Early Gaumont short by an unknown director.
Everything is ready. The purple chair beside the blossoming cherry tree. The camera. The framing. The light. It’s perfect. For Robert there is just one problem: Madeleine, his fiancée, who is sitting right in front of the camera with nothing but a t-shirt. And when he tries to convince her to dress up, an old lady arrives with some cherries from her garden.
Afflicted by various ailments and symptoms, François, Suzanne and Lorraine adapt or take refuge, challenged by the torments imposed by electrohypersensitivity.