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One year after the death of his mother Tristan finds himself stuck between his 'two families'. His dad on one side, and on the other, his own new family, his wife and 6 month old daughter.
Short directed by Michel Ricaud
A biologist, obsessed with the idea of immortality, witnesses the execution of his murderous twin brother. He keeps the cut off head, and manages to maintain the brain, with which he is eventually able to have a telepathic contact, alive.
A youngster from the Marseille ghetto chooses to become a member of a local mob to avenge his best friends' death.
The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.
Documentary about new chinese cinema.
Diffident Frederic never wanted to be drafted into the military, but seeing as he has no choice, he does his job with the same lack of caring that he offers to all his family and friends. One day he visits a local pub and meets barmaid Saliha, the Arab daughter of the bar owner. Now, she is everywhere he turns. Eventually, he takes off from his barracks and they have a luxurious tryst on the Isle des Oiseaux.
In New France, in the year of grace 1642. Anguerant de Ganélon, witch hunter and hunter of monsters, leaves Europe accompanied by his valet and a priest in order to pursue the vampire who killed his wife.
Arrived in an abandoned place or emerged from a society at a standstill, men and women organize themselves in their own way, borrowing what they find on the spot and in the memory of what surrounds them, the theater and the people... In the superb mineral setting of the Boulbon quarry, Philippe Quesne, inspired by a work by the painter Jérôme Bosch, orchestrates a joyful retro-futurist epic to meet the worlds to come, between environmental science fiction and contemporary western.
Le Chant des signes by Yves-André Delubac makes an image reappear and multiply from the very word, but with difficulty and after long black shots. This short film, which makes maximum use of the black screen, could pass for an experimental film, but it is not experimental in the sense that we give it. It is a "theoretical and rhetorical work" on the difficult birth of an image that extracts itself from the black. Nothing to do with Kubelka or Frampton. It's a film that comes directly from what one could read in Cinéthique or Cahiers at the time. This appearance of the image is like a Caesarean section from the text.
