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Le Chant des signes by Yves-André Delubac makes an image reappear and multiply from the very word, but with difficulty and after long black shots. This short film, which makes maximum use of the black screen, could pass for an experimental film, but it is not experimental in the sense that we give it. It is a "theoretical and rhetorical work" on the difficult birth of an image that extracts itself from the black. Nothing to do with Kubelka or Frampton. It's a film that comes directly from what one could read in Cinéthique or Cahiers at the time. This appearance of the image is like a Caesarean section from the text.

A radical film that is at once a scathing questioning of cinema, a fierce attack against ideological sclerosis, an obvious model of total science fiction.

"Le Fantôme des Arcades" is the story of a series of appearances of a ghost, performed by Christian Clément, who haunts the Corcelles-les-Monts plateau in the Dijon region. The ghost appears several times in front of a mushroom picker, played by Daniel Petit, terrified by these multiple appearances.

After twenty years, a group of friends meets to talk about cinema, like they always do. They haven’t grown older; on they contrary, they seem to look younger. They all still live in a world of their own, they refuse to be in touch with reality and express themselves by dropping names and pearls of wisdom. However, beyond this austerity, the portraits of funny characters emerge, humane and authentic in their own way.

An adaptation of the novel by Jules-Amédée Barbey d'Aurevilly.

In association with Jean-Luc Guionnet (image/sound). Ceremonial «haptique of two male bodies, shot in interieurs, with electroacoustic music.

This documentary follows Hironobu Tsujiguchi, an international pastry chef and chocolatier from Japan, as he prepares for Paris's annual Salon du Chocolat by searching out and incorporating the staples of traditional Japanese cuisine with cacao.

This title is the first cinematic testimony relating to Fiat. The film shows the factories of the Turin-based automobile company and the main stages of car production: engine assembly, gearbox assembly, chassis assembly, engine testing and vehicle testing. The final sequence that portrays Fiat employees leaving the factory for their lunch break is very impressive.

Suzie takes a cruise and finds a flirt behind her guardian's back.

An ordinary day in an African village like any other. Until a song resounds. It reminds the Griot, an old tailor, of an old story about a drought. Passers-by stop to listen as he brings the story to life. Life in the village comes to a halt for a moment.

The Bermuda Triangle is a short film made as part of the Animation II class at the Mel Hoppenheim School of Cinema at Concordia University. There are heartfelt testimonials from big fans of beer and gin and tonics who often choose the Plateau to go and drink their beverages of choice.

“Regina 11” is the nickname given to Regina Betancourt de Liska, an atypical and multi-faceted figure of Columbian popular culture. Although her name is almost always associated to witchcraft and superstitions, she also created through her iconography and performances, her own world full of references, both unusual and disparate. Her ideological potential and charisma brought her to create the “Unitary Metapolitical Mouvement” at the end of the of 1970s, thus becoming a world pioneer in the political representation of women.