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Goumic, an industrialist and his wife Anne lose their big house when their town's mayor coerces them to sell it for a low price.
A Parisian painter working in the Basque country succeeds in keeping together a young woman and her smuggler boyfriend, even though the artist has feelings for the intended bride himself, and then he completes a painting on the subject of the wedding.
One afternoon in Saint-Germain-des-Prés, 18-year-old Philippe meets 16-year-old Frédéric. Their eyes meet, they talk and decide to spend a sensemble weekend in Deauville. But it's not that easy to get to know each other. From surprises to concessions, this weekend teaches them how difficult it is to understand each other and not waste the pleasures that come our way; and that sometimes, at the end of the day, we'd like to do the trip all over again, in reverse.
This year, Michel Audiard would have turned 100. To celebrate the life and work of the French screenwriter and director, Gaumont opens their vault and reveals some unknown information on the legendary witty dialogues writer.
Part of the series La Vie telle qu'elle est
National Geographic - Le Big Bang Des Dinosaure
Smuggler's Ball is the English-language title for this French-Belgian seriocomedy. The action takes place along the borders separating Belgium, Holland and France. It is here that the worldly Pierre (J. P. Kieran) carries on a profitable smuggling operation, all the while romancing Siska (Christian Lenier), the daughter of a local customs official. Various subplots and secondary characters weave in and out as the plotline guides the viewer through the WW II years. Towards the end, the story shifts gears when the Benelux Frontier Agreement eliminates all government regulations. The film's screenplay is by Charles Spaak, himself the descendant of a Belgian political family, and thus well-versed in bureaucracy and red tape.
From his childhood in the lowlands of northern France to his death in Nice, a look at the life of painter Matisse: his early education, his apprenticeship at the Beaux-Arts and his decades-long career as a painter, sculptor, and draftsman.
Seven noble families fight for control of the mythical land of Westeros. Friction between the houses leads to full-scale war. All while a very ancient evil awakens in the farthest north. Amidst the war, a neglected military order of misfits, the Night's Watch, is all that stands between the realms of men and icy horrors beyond.
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
In a post-apocalyptic world, the treasure hunter Riot and his pretty sidekicks are searching for Eyes of Zalem, which they hope will guide them to Rido, the treasure of a long-lost Quall civilization. A limitless energy source, the Rido has the power to even restore life; but unfortunately for Riot, the evil Demsters are after it too. If he is to bring his sister back to life, Riot must pit his skill and cunning against the ruthless enemy army in a race for the lost treasure. Source: Anime-Planet
Like Max Ophüls, Capellani set many films in the theatre – backstage, on stage, in the public eye; Here is a rags-to-riches story of a dancer and her older benefactor, a kind-hearted piano tutor.
A man does a practical joke on a chestnut vendor.
Follows the story of three privileged Creole orphans from Havana, as they meet French adventurer Victor Hugues and get involved in the revolutionary turmoil that shook the Atlantic World at the end of the eighteenth century. The main characters are all members of one family: two siblings, Carlos and Sofia, and their cousin Esteban.
Suggested by Mama Watta, a legendary water goddess who seduces men into captivity, the film depicts the symbolic encounter of a man and a woman one night on the beach. The two share dreams on the sand but with daylight comes disorientation and death.
