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A dealer in statues hustles a drunkard who retaliates by breaking all the statues, the Dealer rushes off for the police but upon his return with the officers finds all the statues back in their place intact, the police take away the Dealer whom they think has been humbugging them.
A porter is endeavoring to clean the windows of a store, when a rather stout lady begins to shake rugs from a window higher up. The porter is annoyed at this, and seizing the rug, gives it a tremendous pull, dragging the lady from the second story window to the sidewalk. She jumps to her feet, more angry than hurt, and to get even, pulls the porter and ladder over backwards; but he is evidently made of India rubber, for as soon as he strikes the ground the ladder bounds upright again with him on the top. He then empties a large pail of water on the housekeeper's head to cool her temper. A very humorous film.
After the death of her mother 18-year-old Sahar is left in charge of her poor, mentally disabled father in an isolated village in Iran. Sahar dreams of attending university and becoming a doctor, but extended family insist she play the role of caretaker unless her father remarries. This warm and intimate observational portrait captures a young woman caught between traditional gender roles and her desire for self-determination, volleyball and Instagram.
Eve, deposed princess, survives in a ruined country, with her servants, Yves and Anna.Her earthy flunkeys organize her absurds, poetics and violents recreations.
Traumatized by his girlfriend's suicide, Jakob sleepwalks. He sees a psychiatrist, who gradually throws him off balance. He falls in love with Alice.
Le Cercle des noyés is the name given in Mauritania to black political prisoners imprisoned from 1987 in the old colonial fortress of Oualata. This film touches on the fragile process of unveiling memories by one of these former prisoners who remembers his story and that of his companions. In a visual echo, the places of their confinement come one after another denuded from any traces of that past.
Directed by Ahmed Djemaï.
This fascinating short film follows a charismatic Québécois man who sells Christmas trees in Manhattan. An original outlook on New York society, matched by impressive storytelling and skillful editing.
Short registration of activities performed by elephants. Shooting of work in a wooded area using elephants. Images can be seen of an elephant that uproots heavy trees, brings the wood away and splits a tree trunk in two with the tusks.
There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.
Once his girlfriend says he can go and work for her father a student loses all motivation to go to law school, something his father is very keen on.
Delphine Seyrig plays a middle-aged woman coping with an ungovernable present and holding out hopes of escaping to a more pleasant past. She leaves her current residence to retreat to her provincial French hometown. Here she dreams of locating and rekindling an old love. Seyrig is less inscrutable here than in her debut feature-film appearance Last Year in Marienbad (61), though the character is just as complex and difficult to please. Grain of Sand was released in France in 1983 as Le Grain de Sable.
