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Focused on his neighbours, Le Ciel dans un jardin continues the conversation, begun with the previous film, which is imbued with melancholy in the face of the impossibility of returning. This future mourning gives a particular colour to his observation, a combination of indifference (the repetition of the days governed by the principle of subsistence) and acuity (the contemplation of small things and of lost moments). The value of the shots finds itself enhanced, from the tactile close-up that captures the elementary actions—cultivating, eating, smoking—to the widest frame, espousing with a final gaze the frontiers of world that is about to be incorporated by the filmmaker as an interior landscape, a mental object. - Emmanuel Chicon
A Pierrot-like elf enjoys the delicate flowers of his frost garden.
A short story from Les Enfantines by Valery Larbaud, La Grande époque , describes the imaginary countries crossed by children in a undoubtedly tiny garden.
The bicycle was still a novelty at the beginning of the 20th century. At the Villa Belle Rive in Cannes, the Lavanchy-Clarke family engage with it cyclically, with gaps in the film in order to convey a sense of the laps.
the continued strength of la patrie under Vichy
Just east of Jerusalem, the construction on the wall of separation continues a few meters from a senior citizen’s home. Its unavoidable and spectacular progression gradually isolates the residents from the world of the living, as both visitors and staff face more obstacles with each passing day. A haunting soundtrack of bells and chimes accompanies elderly patients sleeping in wheelchairs, and silhouetted staff members walking down long hallways with glistening floors. Certain individuals continue to protest the barrier wall construction due to feelings of rejection, anger or nostalgic longing for their lost freedom. While presenting the painful sense of despair that rises in the home, this film also captures a sense of levity and hope in its use of rich colours and portrayals of simple pleasures.
A biodoc about the first female filmmaker and her relative disappearance from the history of cinema.
An ordinary girl is admitted to the most prestigious school in the country where she encounters F4, an exclusive group comprised of the four wealthiest and handsomest boys in the school - Dao Ming Si, Hua Ze Lei, Xi Men and Mei Zuo.
The location is the same as Laveuses, and the vue is an example of a home movie, with people playing or fooling around, fully aware of the camera. When you have a Cinématographe Lumière, why only use the Kodak Panoram? The child’s pushcart bears the name Helvetia, the naturalized Swiss version of the Sunlight brand, whose factory was launched in Olten in October 1898.
England, 1960. The Crown sues the publisher Penguin Books in order to ban the publication of Lady Chatterley's Lover, a novel by the British writer D. H. Lawrence (1885-1930), published privately in Italy in 1928, which celebrates nature and deals with sex without taboos.