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Bruno pursues Fabrice, runs without calculation, to fly away with him, until the end.
Luisa lives with Mathieu, the man she loves, and Arthur, Mathieu's son by his first wife, who died in an accident. But Arthur, whom Luisa has been raising like her own, suddenly disappears from school and no one claims a kidnapping.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Francesca, Paola, Laura, and Alicia are four friends who all fall in love with the same man, a musician named Gigi. Alicia is a woman who fears compromising in her relationships, Laura is an overprotected dreamer, Paola is a lawyer who seeks true love, and Francesca is a dancer on a TV show
A French adaptation of Heinrich von Kleist's play "The Prince of Homburg", staged by Giorgio Barberio Corsetti.
Part of the series La Vie telle qu'elle est
A wayward young man finds himself involved with two mysterious people of a previous generation. After an affair with the married Hélène, the young man tries to escape her obsessions on a road trip with Serge, a taciturn relic of the 60s.
French parody of the Hop-o'-My-Thumb fairytale.
The first recorded moving images of Frankfurt am Main.
Goumic, an industrialist and his wife Anne lose their big house when their town's mayor coerces them to sell it for a low price.
