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Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.
A wayward young man finds himself involved with two mysterious people of a previous generation. After an affair with the married Hélène, the young man tries to escape her obsessions on a road trip with Serge, a taciturn relic of the 60s.
Luisa lives with Mathieu, the man she loves, and Arthur, Mathieu's son by his first wife, who died in an accident. But Arthur, whom Luisa has been raising like her own, suddenly disappears from school and no one claims a kidnapping.
Hervé is a tough sea captain in command of the "Duchesse Anne", a rum-trading ship. But the sea dog hides a tender heart and he allows Marie-Douce, a poor slum girl who dreams of seeing the wide world,on board. To have her accepted by the crew, he passes her off as his niece. A seasoned master like him, wise enough to ban alcohol use on his ship, should have known better : a beautiful girl on the deck cannot but unleash the savage instincts of all those men without women.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Francesca, Paola, Laura, and Alicia are four friends who all fall in love with the same man, a musician named Gigi. Alicia is a woman who fears compromising in her relationships, Laura is an overprotected dreamer, Paola is a lawyer who seeks true love, and Francesca is a dancer on a TV show
Malik, who grew up in Paris suburbs, dreams to move to Canada. Someone will give him a chance. But, when you are an unlucky guy by nature, it is hard to keep its chance.
French parody of the Hop-o'-My-Thumb fairytale.
Two young friends - one poet, the other a sculptor - have fun conquering the wives of others.
This bright domestic drama captures a moment in time when, for a large number of idealistic and grateful French men and women, the promise of Russian communism was bright, and everything Russian was a source of joy and amazement. In the story, Irene was rescued from Auschwitz by soldiers from the U.S.S.R., and since that time she has enthusiatically considered Russia to be the source of hope in the world. Her more pragmatic husband has, by 1958, grown somewhat weary of her enthusiasm, which has led her to decorate their apartment with anything Russian she can get her hands on. Matters come to a head when she is befriended by three members of the Red Army Choir during their tour of Paris.
This documentary shows the investigation conducted by journalists Monic Néron and Simon Coutu to shed light on the career and personality of the young Trifluvien exiled in Thailand.
To what extreme would the death of your beloved pussy drive you?
