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The new Rosy Abate prequel
Ezio Bosso reveals his real self and takes us into his world and his imagination, as if were a diary.
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.
Series of tales. The framing story: a group of women are doing their laundry and begin to tell lusty tales.
The first fantasy ..emotions,actions
A man's hypochondriacal relationship with his mother.
Robert Cavaillon is the king of the pet food industry. After he sold the factory to his workers, he decided to run for office. His campaign in support of animal rights gives him a lead in the opinion polls - which worries the main political parties. Since his past is unassailable, his political opponents decide to give the job of getting rid of him to a bizarre couple - a professional killer called Jean and a high-class call girl named Clara. The pair has to ruin him with scandal and then eliminate him for good. Jean's first attempt at his task is a failure: instead of a killer he ends up looking like Cavaillon's savior and friend. Clara is forced to play the role of the killer's tender wife, because their victim sees them as a kindly pair not interested in using him for his position like everyone else. Between one bungled assassination attempt and the next, the three are enmeshed in an intense relationship in which their roles all change.
Two war orphans, Joseph, apprentice printer, and Lisette, typist, live with their grandmother in Belleville. Lisette loves his next door neighbor, the painter Amedee, but this one does not offer him a union. Joseph Amedee learning is the son of a general, advocates for Lisette and everything ends in marriage.
Berlin 1933 – Diary Of A Metropolis tells the story of how Berlin, the vibrant hub of modernity, became Germany's staunch capital city in step with the Third Reich. Contemporary journals, letters and documents, photographs and film material, form a dense collage of the dynamics of this collectively organised disaster.
Hervé is a tough sea captain in command of the "Duchesse Anne", a rum-trading ship. But the sea dog hides a tender heart and he allows Marie-Douce, a poor slum girl who dreams of seeing the wide world,on board. To have her accepted by the crew, he passes her off as his niece. A seasoned master like him, wise enough to ban alcohol use on his ship, should have known better : a beautiful girl on the deck cannot but unleash the savage instincts of all those men without women.
Mia and Ele share an important journey that will make them face their ghosts and grow up. A journey through amazing or run-down Italian scenarios, from the South to the North, discovering places, but above all discovering themselves.
Marc-Antoine Le Bret returns with a new show: "Solo". Still alone on stage, as the title suggests, he is nonetheless accompanied by a hundred characters whose voices he imitates with consummate talent throughout a bouquet of new sketches. In this show, the audience gets a little glimpse of what could happen if the world started turning upside down: a real post-apocalyptic show, before the end of the world, in short. But fortunately, humor is there to help swallow the pill. Didier Deschamps, Cyril Lignac, Stéphane Bern, Nelson Monfort, Marine Le Pen, Nicolas Sarkozy, Laurent Ruquier, Marlène Schiappa, Chantal Ladesou... the list of his imitations is even longer. He is now one of the most talented imitators of his generation. Marc-Antoine Le Bret is back on stage with a new show, SOLO.
Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.
In Paris, a stage-struck would-be actor is mistaken for an escaped convict.
