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Supposedly innocent citizens from the middle of society who march with right-wing extremists, esotericists and conspiracy theorists against the corona measures, including entrepreneurs, single mothers, teachers, normal families. Michael Ballweg's "Querdenker" demos mobilize thousands of lateral thinkers from all walks of life and milieus who would otherwise not meet. What they have in common: the frustration, the anger and the hatred of the corona measures and the "elites" who have decreed them. Where does this frustration and anger come from in the rich southwest of Germany of all places? Why does a minority withdraw into their filter bubbles and ignore scientific facts? And why do they play such a big role in traditional and social media? The documentary accompanies participants and organizers at various corona demos, but also those affected who have experienced COVID-19 up close and have no understanding for these misguided extremists.
The main character of the film, Alexander Strizhenova, became famous in talk shows and tabloid media as the daughter of a Soviet actress, Natalya Strizhenova, who grew up without a father - but this is not mentioned in the film by Rastorguev. Sasha, beaten by life, when we meet her, lives in a cluttered and untidy village house somewhere in the Moscow Region with her husband, with whom they swear dirtyly in the presence of their young son Ilya. Sasha smokes, drinks and endlessly suffers from a lack of love and from the fact that no one can understand it. Three years later, the viewer again sees her life - in another place, with another man and with a new child, but in about the same circumstances.
Our Sons is a 1991 made-for-TV movie starring Julie Andrews and Ann-Margret as two mothers of gay sons, one of whom is dying of AIDS. As a small town waitress, Ann-Margret's character must overcome her own homophobia and learn to love her son unconditionally. In the process, she cements a lasting friendship with Andrews's character. The movie was inspired by the 1987 documentary Too Little, Too Late.
Andrews' character is secretly homophobic, and Ann-Margret's character is openly homophobic.
The dying son is played by Željko Ivanek; Hugh Grant plays his partner.
The story of Lee Segye who can see one minute into the future and Ha Nabi who caught his eye.
A married couple Nisha Mathur and her husband Dilip Mathur, purchase a hotel in a scenic locale. In the beginning, no one comes to stay there, however, the hotel soon attracts several young couples; an ex-convict, who possesses some dark secrets out of Nisha's past; a police inspector who warns people against staying in this hotel; and a journalist Lisa. And then one by one people start turning up dead, brutally killed, by person(s) unknown. What is the secret behind this hotel?
Marco, an impoverished engineering student, hides his wealthy friend Andre at his apartment in a fake kidnaping plot to obtain money from Andre's father, a furniture manufacturer.
For the 50th anniversary of the discovery of the Hassanlou Cup, Aslani revisited the subject of his 1966 debut film, employing new digital zoom and color technologies and interweaving his own modern poetic verses with those of the 12th-century poet Attar. The film is a portrait of the artist as an older and more contemplative man.
Four people are circling each other. But for what? - for love or for terror?.
