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When Lucy Graham (Neve McIntosh) weds the much older Sir Michael Audley (Kenneth Cranham), his nephew Robert (Steven Mackintosh) is suspicious of the lovely young woman's motives. Soon, Robert's friend disappears, and Robert believes Lucy may be involved. But as he attempts to unearth the truth about Lucy's past, he finds himself irresistibly drawn to her dangerous allure. Betsan Morris Evans's period drama is based on the novel by Mary Elizabeth Braddon's.
Lady Balsam's Conquest. A sequel of General Chai and Lady Balsam.
Gaston Lampion is an employee in a big insurance company. Extremely skilled for all sorts of calculations, he is nonetheless restrained by his lack of charisma and difficulty for speaking. The erotic commerce of “the ladies of the night” will give him the chance to push himself further.
As the king succeeds to the throne, His Excellency Kim Han-Jik commits suicide after he entrusted his children to his faithful servant Lee Kang-Hak since he is afraid of being invited to a disaster. Newly charged lord of the town harbors an evil heart to Suk-Yong, Kim's daughter, rather he is on the edge of being killed by her. He is saved by Kang-Hak who kills her and Kim's sons. After that Kang-Hak is on a streak of success and finally becomes the lord of that town. One day Suk-Young's ghost appears to torture Kang-Hak while villagers are killed every day until Kang-Hak is the only survivor. On the day even Kang-Hak is supposed to be killed, His Excellency Kim's ghost takes other ghosts. After a while Kang-Hak wakes up and sets up a tombstone to console them.
Atikamekw-Nehirowisiw governance goes through women and harmony with the Nitaskinan, the territory. Kokom Cotit was inspired by this principle to manage his family territory.
An experimental documentary portrait of director Malcolm Quinn Silver-Van Meter's grandfather
"A Lady Caddy Who Never Saw a Hole in One" displays a love story filled with absurdities regarding homeland, jealousy, hope, and fundamentally a statement about luck. Ning is a female caddy, while Mur is a man who is loyal to his homeland.
A famous American secret service agent tries to rescue a German 17-year-old prodigy scientist who has been captured by the Russians.
In the floating islands in Manipur, a man gets a gun.
In this erotic martial arts epic, Kaede is on an assignment to penetrate a cult that has exerted its power in secret for centuries. Although she is able to join the group, a priest curses her with a passion for a precious religious object, and this all-consuming lust may derail her hopes of a successful mission.
The Japanese pop music duo Pink Lady are circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.
In this dramatization, the Virgin Mary works a miracle on a girl in 1623 Mexico. Four centuries later, a family make a pilgrimage for their own child.
Jimmy Ward infiltrates a criminal gang, only to reveal at the last moment that he is, in fact, none other than an undercover Sherlock Holmes.
Ye-ji who’s been living in the same neighborhood as her crush Jin-gyoo, asks Woo-yeong to live a good life with Jin-gyoo. Jin-gyoo and Ye-ji became a couple but in fact, Jin-gyoo’s sex partner went to Seoul so he can meet Ye-ji instead. Ye-ji is angry with Jin-gyoo, and Woo-yeong comforts her.
Lady Chaplin is a beautiful woman, she is a fashion stylist and she owns an atelier in Paris. Zoltan is a rich American specialized in submarine researches. Dick Malloy is an American secret agent. What have the three in common? Perhaps a sunk American atomic submarine with sixteen missiles still on board? And why every other scene one, two, ten or more men are trying to kill Malloy in every conceivable way?
Of Shostakovich’s initial undertaking – a trilogy on the tragic destinies of Russian women through the ages – only one opera was ever written: the hard-hitting Lady Macbeth of Mtsensk. Although one of the mainsprings of the work, the Shakespearean parallel is here bitterly ironic: unlike Lady Macbeth, Katerina Ismaïlova who, in the remote reaches of rural 19th century Russia, falls in love with one of her husband’s employees and is finally forced to commit suicide, is less a manipulator than a victim of a violent and patriarchal society. Krzysztof Warlikowski liberates all the subversive power of this scorching and scandalous work, which marked the early years of the Opéra Bastille.
In dreams, a promised couple meet and fulfill their promise of a perfect wedding night.